Jana Euler
Beer without Glass
2014
oil on canvas
240 x 180 cm
94.5 x 70.9 in

 

 

 

 

 

Jana Euler
In Brussels
2013
oil on canvas
180 x 140 cm
70.9 x 55.1 in

 

 

 

 

Jana Euler
Bathtub IV
2014
acrylic on canvas
80 x 220 cm
31.5 x 86.6 in

 

Jana Euler
Bathtub III
2014
oil on canvas
100 x 220 cm
39.4 x 86.6 in

 

 

 

 

Jana Euler
Human Snails dépendance I
2014
foamboard, metal, foam, resin
61 x 47 x 16 cm
24 x 18.5 x 6.3 in

 

Jana Euler
Human Snails dépendance I
2014
foamboard, metal, foam, resin
61 x 47 x 16 cm
24 x 18.5 x 6.3 in

 

Jana Euler
Human Snails dépendance I
2014
foamboard, metal, foam, resin
61 x 47 x 16 cm
24 x 18.5 x 6.3 in

 

 

Jana Euler
Human Snails dépendance II
2014
foamboard, metal, foam, resin
63 x 42 x 33 cm
24.8 x 16.5 x 13 in

 

Jana Euler
Human Snails dépendance II
2014
foamboard, metal, foam, resin
63 x 42 x 33 cm
24.8 x 16.5 x 13 in

 

Jana Euler
Human Snails dépendance II
2014
foamboard, metal, foam, resin
63 x 42 x 33 cm
24.8 x 16.5 x 13 in

 

 

 

 

 

 

Format refusal without a complete breakout.
The end of the bathtub series. Seriality is dead, smoking, or shy.
In is a part of Independence.
Black lines are filled with paint in a view of Brussels: the Palace of Justice with a dark tall stranger sitting in a cafe.
In contrast to this, the beer is painted without a glass and with no lines, just the inner material.
But the shape of it is one of beer in a glass.
In trying to treat both the structure and the filling separately, both are inevitably reunited by the main window of Dependance or the lens of a camera.
Who carries whom, and who is still able to crawl? These are questions which in the best case do not just lead back to one subject.
Jana: How do you feel? Different?
Painting: Yes