Michaela Eichwald
Installation view
The Forever Now: Contemporary Painting in an Atemporal World
MoMA
2015

 

Michaela Eichwald
Installation view
The Forever Now: Contemporary Painting in an Atemporal World
MoMA
2015

 

ZIELE IM LEBEN
Installation view
dépendance, Brussels
2017

 

Michaela Eichwald
Halde am Meer
2014
acrylic, lacquer and wax on pleather
130 x 190 cm
51.18 x 74.81 in

 

ZIELE IM LEBEN
Installation view
dépendance, Brussels
2017

 

Michaela Eichwald
Die Unsrigen sind fortgezogen
2014
acrylic, spray paint, lacquer and ball paint on pleather
330 x 138 cm
129.92 x 54.33 in

 

ZIELE IM LEBEN
Installation view
dépendance, Brussels
2017

 

Michaela Eichwald
Psalm 100.000, Hütte am Abend, Durst
2014
gouache, acrylic, lacquer, paper and wax on pleather
360 x 130 cm
141.7 x 51.18 in

 

Michaela Eichwald
Die Rückkehr der Körper in die Landschaft
2014
oil, acrylic and graphite on synthetic leather
210 x 130 cm
82.7 x 51.2 in

 

Michaela Eichwald
Gerichtstraße
2012
oil on canvas
180 x 120 cm
70.9 x 47.2 inches

 

De Volkskrant
2012
Acrylic, Oil, Wood-Stain, Paper, Lacquer on Fabric
300 x 125 cm

 

Kunsthalle St. Gallen
2012
Acrylic, Oil, Crayon, Lacquer on Cotton
330 x 130 cm

 

Der Meteorit soll kommen
2012
Acrylic, Oil, Lacquer on Fabric
225 x 125 cm

 

Horsti Schmandhoff
wood-glue, acrylic, oil, lacquer on linen
2012
195 x 125 cm

 

Joey Heindle fotografiert sein Mittagessen
2012
c-Prints, acrylic and spray-paint on nappa leather imitate
135 x 115 cm

 

Stark ausgeprägte und sehr stark unterdrückte Sexualität, 2011
Lacquer, oil and wax on fabric
150 x 140 cm

Contemporary Art Daily
installation view
dépendance, 2011

She-Mähre, Einem Mann eine Frau sein, 2011
Lacquer, oil, oil-chalk, acryl and wax on fabric
340 x 140 cm

 

contemporary art daily, (Inflation, Penetration mit Nicht-Ideen, Feigheit, Folgenlosigkeit, darauf wieder sich beziehen müssen), 2011
Lacquer and oil paint on fabric
160 x 150 cm

Es geht um alles, 2011
Fabric paint, lacquer, oil and waxchalk on fabric
100 x 220 cm

Lustgrotte & o.T.(Bester Vogel, 1973)
2010
two resin casts
dimensions variable

Born 1967 Cologne, Germany
Lives and works in Berlin, Germany

Solo Exhibitions

2018
Popanz Moloch Muff und Puff, Maureen Paley, London

2017
Frank, Reena Spaulings, New York

2016
Absolution, Silberkuppe, Berlin

2015
Overduin & Co., Los Angeles

2014
Ziele Im Leben, dépendance, Brussels
Palais de Tokyo, Paris
Galerie Meyer-Kainer, Wien

2013
Ergriffenes Dasein. Artist, Writer, Mentalist, Reena Spaulings, New York
Knotti Times, Silberkuppe, Berlin

2012
Prix Lafayette, Paris, presented by Reena Spaulings, New York
Der Meteorit soll kommen, Mathew, Berlin
William, New York
Pierre Vogel, Marquise Dance Hall, Istanbul (with Stefanie Popp)

2011
Contemporary Art Daily, dépendance, Brussels
I, Reena Spaulings, New York

2010
Morror, with Michael Krebber, International Project Space, Birmingham, UK
Pofalla in Wien,Pro Choice, Vienna
Pofalla, willst du mir jetzt komplett Garaus machen?, After the Butcher, Off-Space, Berlin

2009
“The Classical,” Vilma Gold, London
“Total Awareness Of All Dimensions (Dimensions Variable),” Aachener Kunstverein, Germany

2008
“Ergriffenes Dasein. Artist, Writer, Mentalist.” Reena Spaulings Fine Art, New York
“Projektion,” European Kunsthalle c/o Ebertplatz, Cologne

2007
Vilma Gold, London
“Das älteste Drama der Welt,” Montgomery, Berlin
“Kritik der Urteilskraft. Dokumentation,” Simultanhalle, Raum für junge Kunst, Cologne

2005
“God of Emptiness, Privilège,” dépendance, Brussel
“Niemand ist eine Insel,” Brunn, Berlin

2004
“Stunde Null, 100 Uhr, Commi si comme ca II,” Cologne

2003
“Verrecke, Du fiese Buppe,” Galerie Meerrettich, Berlin

2000
“Ich kann nicht zulassen, dass eine Differenz auftritt
zwischen dem,was ich bejahe und dem, was ich verneine,” Kunstverein Braunschweig, Germany

1997
Galerie Daniel Buchholz, Cologne

 

Group Exhibitions

2017
Pelamide, Gladstone Gallery, Brussels
Zur Rebschänke, Weiss Falk, Basel
Gebärden und Ausdruck, Halle für Kunst Lüneburg, Lüneburg
Infected Foot, Greene-Naftali, New York
CONDO, Maureen Paley Hosting dépendance, Maureen Paley, London, UK
Aftermieter, Haus Mödrath – Räume für Kunst, Erkrath, Germany

2016
Incidentals in the Day World, JTG Detroit Project, Detroit
Painting 2.0, Mumok, Vienna
Rennes Biennale, Rennes

2015
Painting 2.0: Expression in the Information Age, Museum Brandhorst, Munich
Raw And Delirious, Kunsthalle Bern, Bern
Off Broadway, Wattis, San Francisco
Künstler und Dichter. Kuratiert von Ugo Rondinone. Secession, Wien. (G)
Gesellschaft III, Bamberger Kondition. Villa Concordia, Bamberg (S)
Call and Response, Gavin Brown, New York (G)
Das unbekannte Meisterwerk, Meyer-Kainer, Wien (G)
The Pleasure of the Text, Campoli Presti, London (G)
dépendance | Opposite the Other Side, Sommer, Tel Aviv (G)

2014
The Forever Now: Contemporary Painting in an Atemporal World, MOMA, New York
8th Berlin Biennale, Berlin
Tif Sigfrids, Los Angeles
The Hawker, dependance at Carlos/Ishikawa, London
Cocu ou Marron, CAN, Neuchatel
Die Antwort der Dinge Lothringer Halle, Munich
Chat Jet, KM Graz
EFFI B. SILBERKUPPE, Berlin

2013
Das Allerletzte Professor Winkler Stipendium. Kunstverein Weiden
Triennale Fellbach. Kleinplastik seit 1980.
Café Paradiso, With Barker, Flood, Pfisterer. Arthur-Boskamp-Stiftung, Hohenlockstedt
Reckless Head, Michael Benevento Gallery, Los Angeles
Catch as Catch Can. Locks-Gallery, Philadelphia.
KUKUK. Deborah Schamoni, Munich
Purple Glass. Overduin and Kite, Los Angeles
Painting Forever, Kunst-Werke Institute for Contemporary Art, Berlin
Festival der Kleinskulptur. Halle für Kunst, Lüneburg
Some End of Thing. Museum für Gegenwartskunst, Basel

2012
Night Studio, Vilma Gold, London
Style, Galerie Micky Schubert, Berlin
At the Speed of Stone, Marianne Boesky Gallery, New York. Curated by Anthony Huberman
Pierre Vogel, Marquise Dance Hall, Istanbul. Double-S with Stefanie Popp, invited by Mark van Yetter
Context Message, Zach Feuer, New York
Redundanz, Gesellschaft für Landschaftskunst, Halle Süd, Bad Tölz
Erntedank, ISI 8, Berlin

2011
adequate, with Nick Mauss and David Lieske, Sommer Contemporary Art, Tel Aviv
The Keno Twins 4. Villa Merkel, Esslingen. Curated by Michael Bauer.
With Horst Ademeit, Steve Claydon, Stefanie Popp, Agatha Wojciechowsky
Augusts Llen. Hotel Intercontinental, Vienna. Curated by Chiara Minchio and Lisa Holzer
The great white way goes black,
With Trisha Bagga, Helena Huneke, Katharina Sieverding, Klara Liden, Julie Watschel. Vilma Gold, London
Camulodunum, Curated by Michelle Cotton. With Henry Moore, Barbara Hepworth,
Michelangelo Pistoletto, Robert Smithson, Rebecca Warren, Andy Warhol,
Firstsite, Colchester
Edition/Non-Edition. Groupshow at Gallery Meyer-Kainer, Vienna, Curated by Pro Choice (Lucie Stahl and Will Benedict)
KW69 #7 Kalin Lindena. With Hanna Brandes, Agathe Fleury, Hella Gerlach,
Daniel Müller-Friedrichsen, Martin Neumaier, Nina Rhode. Kunstwerke Berlin
The Keno Twins 5, curated by Michael Bauer, Gallery Norma Mangione, Turin
Friends and Lovers in Underground. Invited by Carola Deye and Dirk Meinzer, Hamburg
Looking back. The White Columns Annual, White Columns, New York. Curated by Nick Mauss and Ken Okiishi
Jubiläumsausstellung 25 Jahre Neuer Aachener Kunstverein

2010
“Novel,” dépendance, Brussels
“BigMinis. Fetishes of Crisis,” curated by Alexis Vaillant, CAPC musée d’art contemporain Bordeaux, Bordeaux
ZINGERpresents, curated by Rob Tufnell, Amsterdam

2009
“Ho is No Substitute for Anything,” Galerie Meyer Kainer, Vienna
“Precarious Forms 1 (Prekare Skulpturen),” Galerie Mayer Kainer, Vienna

2008
European Kunsthalle c/o Ebertplatz #1, Cologne
“Written on spiders,” SILVERMAN, San Francisco
“Egypted,” curated by Will Benedict, Kunsthalle Exnergasse, Vienna
“Aurora, Zwischen Nacht und Tag II,” curated by Olga Lewicka and Roseline Rannoch, Berlin
“Zuordnungsprobleme,” Galerie Johann König, Berlin
“Bar Ornella No. 33,” Cologne
“Legend,” curated by Alexis Vaillant, France
“Various sketches for leaving the room.” STARSHIP Poster, LUDLOW 38 New York and Rauchslon, Vienna
“Looking Back: The White Columns Annual,” selected by Jay Sanders, White Colums, New York

2007
“Ich Hätte Durchaus die Kraft, gar nichts zu tun,” Kunstverein Hamburg
“Blindness,” Pudel-Kollektion, Hamburg
“Evangelisch-katholisch,” Montgomery, Berlin
“Artists In and Out of Cologne,” MCA Miami and Henry Art Gallery, Seattle, WA
dépendance at Galerie Neu, Berlin

2006
“Make Your Own Life: Artists In and Out of Cologne,” ICA Philadelphia, Pennsylvania
“Verdunklung /Darkening,” Künstlerhaus Stuttgart, Germany

2005
“Servus, union,” curated by Jens Mentrup

Selected Bibliography (Texts and Contributions)

2008
“Organisation Todt,” Starship, no. 11, Berlin
“Ode an die Hummeln,” in S. Fischer, Yearbook of Lyric, Frankfurt

2007
“Tombola des malades – she was so strong,” in Transgression/ Excess and Paralipomena, Space Other, Boston

2006
“Archangels, Patrons and Friends,” Spex, June 2006
“Mehr Licht, mehr nicht, mehr Broschen,” in Kreuz Wort Raetsel, ed. Thomas Gann / Armin Krämer, Hamburg
“Es muß etwas Lebendiges in den Deich’, in Neue Probleme, ed. Mario Lasar and Markus Boesch

2005
“Odlicht, Oedland, Kampf um Relevanz,” Brochure
“Der Feinkosthändler,” in The sky is thin as paper here, Galerie Daniel Buchholz, Cologne

2004
“Die Heiligtümer der Heiden: Matthias Schaufler,” Texte zur Kunst, no. 54, 2004

2003
“Agricolas Dunststrecke,” Texte zur Kunst, no. 51, 2003
“OSMOSE,” Galerie Meerettich, Berlin

2002
“Seligkeit ist nichts Verheissenes,” in Kai Althoff: Gebaerden und Ausdruck, Berlin: Lukas and
Sternberg, 2002
“Operation am offenen Pferd,” on a exhibition curated by Albert Oehlen, Koelnischer Kunstverein,
Texte zur Kunst, no. 47, 2002

 

Selected Reviews

2010
“After the Butcher: Michaela Eichwald,” Judith Raum, Flash Art, vol. XLIII, no. 272, May-June 2010

2009
“Michaela Eichwald,” Dean Kissik, Flash Art, vol. XLII, no.268, October 2009
“Michaela Eichwald at Vilma Gold,” Chris Fite-Wassilak, frieze online, December 10, 2009

2008
“Is Painting Small the Next Big Thing?,” Roberta Smith, New York Times, April 19, 2008
“Michaela Eichwald: Ergriffenes Dasein, Artist, Writer Mentalist,” Anne Doran, Time Out New York, April 27, 2008

2005
“Kampf um Relevanz oder die Mühlenn des Lebens,” Nicolas Siepen, Texte zur Kunst, Dec. 2005

2004
“Michaela Eichwald,” Peter Abes, Spex, July 2004

2002
“Eine Produktion der Filmgrupp West,” Tom Holert, Artforum, October 2002

1998
“Der Angriff kann steigen,” Kai Althoff, Texte zur Kunst, no. 28, 1998