Superautomatism Grand Jeté VIII
2015
enamel on paper
28 x 21.5 cm / 45 x 37 cm (framed)
11 x 8.5 in / 17.7 x 14.56 in (framed)

 

Superautomatism Grand Jeté VI
2015
enamel on paper
28 x 21.5 cm / 45 x 37 cm (framed)
11 x 8.5 in / 17.7 x 14.56 in (framed)

 

Great Esteem
2015
photomontage
27.4 x 17.8 cm / 45 x 37 cm (framed)
10 x 7 in / 17.7 x 14.56 in (framed)

 

Infant’s Door
2015
photomontage
27.5 x 21.5 cm / 45 x 37 cm (framed)
10.82 x 8.5 in / 17.7 x 14.56 in (framed)

 

Interaction Ritual
2015
collage from found negatives on aluminium, framed
180 x 122 cm / 186 x 128 cm (framed)
70.86 x 48 in / 73.22 x 50.39 in (framed)

 

Rouge Pur
2008
collage
20×16 cm

F.J. Harrison
2009
collage
22.4×17.8 cm

Dothy Peach
2009
collage
22.8×17.7or cm

Rose for
2009
collage
22.2×17.7 cm

 

Linder
Blonde Melody
2013
collage
19.1 x 16.4 cm
7 1/2 x 6 1/2 ins

 

Linder
Lustron
2013
collage
19.9 x 15.3 cm
7 7/8 x 6 1/8 ins

 

Linder
Superma
2013
collage
19.7 x 14.6 cm
7 3/4 x 5 3/4 ins

 

Linder
The Principal of Totality
2011
collage
29.5 x 23.5 cm

 

Untitled
2008
Collage
27.6 x 21.4 cm

MAKE LOVE NOT WAR
2008
collage
23.6 x 21.4 cm

Untitled
2009
collage
27.8×41.1 cm

Born in Liverpool, 1954
Lives and works in Heysham

Solo Exhibitions

2018
Bower of Bliss, Glasgow Women’s Library, Glasgow
Linder: The House of Fame, Nottingham Contemporary, Nottingham, UK
Chatsworth, Derbyshire, UK

2017
Andréhn-Schiptjenko, Stockholm, Sweden

2015
dépendance, Brussels

2013
Blum and Poe, Los Angeles
kestnergesellschaft, Hanover
Tom Burr & Linder, Stuart Shave/Modern Art, London
Musée d’Art Moderne de la Ville de Paris, Paris, France
The Hepworth Wakefield, Wakefield
Tate St. Ives, St. Ives, Cornwall

2012
The Goss Michael Foundation, Dallas, USA

2011
Stuart Shave/Modern Art, London
dépendance, Brussels, Belgium

2010
King’s Ransom (Hybrid Tea), Sorcha Dallas, Glasgow, Scotland
The Darktown Cakewalk, Celebrated House of Fame, The Arches, Glasgow, Scotland
The Darktown Cakewalk, Celebrated House of Fame, Chisenhale Gallery, London

2008
Linn Luhn, Cologne, Germany

2007
Pretty Girl. No.1, Baltic, Gateshead
PS1/Museum of Modern Art, New York, NY, USA
Stuart Shave/Modern Art, London

2006
We Who Are Her Hero, Galerie LH, Paris, France
Let Me Go Where My Pictures Go, Dependence, Brussels, Belgium

2004
The Lives of Women Dreaming, Futura Gallery, British Council, Prague, Czech Republic

2000
The Return of Linderland, Cornerhouse, Manchester

1997
What Did You Do in the Punk War, Mummy?, Cleveland Gallery, London
England is Mine, Windows Gallery, British Council, Prague, Czech Republic

 

Group Exhibitions

2018
Actions. The image of the worlds can be different –
Kettle’s Yard, University of Cambridge

2017
On Bodies: GMF x UNT, The Goss-Michael Foundation, Dallas, Texas
‘The Critic as Artist’ curated by Michael Bracewell and Andrew Hunt, Reading Museum, London, UK
ISelf Collection, Self-Portrait as the Billy Goat, Whitechapel Gallery, London
Dreamers Awake, curated by Susanna Greeves, White Cube, London, UK
As Above, So Below: Portals, Vision, Spirits & Mystics, Irish Museum of Modern Art, Dublin, Ireland
The Ends of Collage: New York, Luxembourg & Dayan, New York, NY
The Ends of Collage: London, Luxembourg & Dayan, London, UK
La Movida, HOME, Manchester, UK
Coming Out: Sexuality, Gender and Identity, Walker Art Gallery, Liverpool, UK
Daughters of Penelope, Dovecot Studios, Edinburgh, Scotland

2016
Le retour des ténèbres’ /Return of Darkness, Musée Rath in Geneva, Switzerland (upcoming)
Artistic Differences, Institute of Contemporary Arts, London
Nude: art from the Tate collection, The Art Gallery of New South Wales, Sydney
Theories of Modern Art, Stuart Shave/Modern Art, London
British Art Show 8, Scottish National Gallery of Modern Art, Edinburgh, Scotland
Performing for the Camera, Tate Modern, London
Pure Romance, The Redfern Gallery, London

2015
British Art Show 8, Leeds Art Gallery, Leeds
LINO|CUT, Paul Stolper, London
Soft Core, Invisible Exports, New York, NY, USA

2014
Primal Architecture, Irish Museum of Modern Art, Dublin (forthcoming)
Post Pop: East Meets West, Saatchi Gallery, London (forthcoming)
Play What’s Not There, Raven Row, London
The Hawker, Gallery Carlos Ishikawa, London

2013
The Age of Collage, Gestalten Space, Berlin, Germany
In The Cut, Australian Centre for Contemporary Art, Southbank, Victoria, Australia
Designing Modern Women 1890-1990, MoMA, New York, NY, USA
Europunk: une révolution artistique, Musée de la musique, Paris, France
Flowers&Mushrooms, Museum der Moderne Mönchsberg, Salzburg, Germany
The System of Objects, Deste Foundation, Athens, Greece
Tom Burr & Linder, Stuart Shave/Modern Art, London
Coconut Water, White Flag Projects, Saint Louis, MO, USA

2012
Transmitter/Receiver, Aberystwyth Arts Centre, Aberystwyth
Only parts of us will ever touch parts of others, Galerie Thaddaeus Ropac, Paris, France
Mash-up: Collage from the 1930’s to the present, L&M Arts, Los Angeles, USA

2011
Transmitter/Receiver. The persistence of collage from the Arts Council Collection, MIMA, Middlesbrough
LIVE! Art&Rock that Changed the History, Centro Per L’arte Contemporanea Luigi Pecci, Prato, Itlay
The Paris Sont Ouverts, Freud Museum, London
Madame Realism, Marres Centre for Contemporary Culture, Maastricht, Netherlands

2010
Art For Whom?, Tate Britain, London
Another Music, Kunsthall Oslo, Norway
Room Divider, Wilkinson Gallery, London
Rencontres d’Arles Photographie, Arles, France
The Dark Monarch/, Towner Contemporary Art Museum, Eastbourne
Mixtapes: Popular Music in Contemporary Art, Lewis Glucksman Gallery, Cork, Ireland
Linder Sterling and Jon Savage: The Secret Public / Punk Montages, Photography and Collages 1976 – 1981, Boo – Hooray, New York, NY, USA
Misty Boundaries Fades and Dissolves, FormContent, London (Curated by Daniella Saul with Linder, George Barber, Stewart Home, Linder, Clunie Reid, James Richards, Eva Weinmayr)
SUPERNATURE, an exercise in loads, AMP, Athens, Greece

2009
The Dark Monarch, Tate St Ives, St. Ives
After Twilight, Kölnischer Kunstverein, Cologne, Germany

2008
Crossroads. DA2, Salamanca Institute of Culture, Salamanca, Spain
Cohabitation, Galleria Francesca Kaufmann, Milan, Italy
Punk. No One is Innocent, Kunsthalle Vienna, Vienna, Austria
doArt, Beijing, China

2007
Re-Make/Re-Model, Sorcha Dallas, Glasgow, Scotland
Issabella Bortolozzi, Berlin, Germany
Love Me Tender, Works from the Tate collection, Tate Britain, London
Linn Luhn, Cologne, Germany
Harry Smith Anthology Remixed, Alt.Gallery, Newcastle
Sympathy for the Devil: Art and Rock and Roll since 1967, Museum of Contemporary Art Chicago, IL, USA
What We Do Is Secret, Blancpain Art Contemporain, Geneva, Switzerland
The Secret Public: The last days of the British Underground 1978 – 1988, ICA, London
Panic Attack! Art in the Punk Years, Barbican, London, touring to the Maison des Arts in Créteil, France

2006
Deconstruction, Barbara Gladstone, New York, NY, USA
Audio, Cabinet des Estampes, Geneva, Switzerland
Le Sphere Punk, Le Magasin, Grenoble, France
The Secret Public: The last days of the British Underground 1978 – 1988, Kunstverein Munich, Germany

2004
Collage, Bloomberg space, London

2003
Glamour, Windows Gallery, British Council, Prague, Czech Republic
Plunder, Dundee Contemporary Arts, Dundee, Scotland

2001
DEAD, The Roundhouse, London

1998
Destroy: Punk Graphic Design in Britain, Royal Festival Hall, London

Linder 
Ridinghouse 2015
28.5 x 22.4 cm
11 1/4 x 8 7/8 in
Hardback
270 pp, 255 colour ill
ISBN: 978-1-909932-09-8
GBP 34.95
USD 60
EUR 50

 

 

Works 1976-2006
Text: Paul Bailey, Philip Hoare, Morrissey, Andrew Renton,
Jon Savage, Linder Sterling, Lynne Tillman
28 x 27 cm (hardcover), pg. 144
ISBN: 978-3-905701-60-9
EUR 60.00