Haegue Yang: In the Cone of Uncertainty
2020
Installation vouw
The Bass, Miami Beach
Photo credit: Zachary Balber, courtesy of The Bass Miami Beach

Haegue Yang: In the Cone of Uncertainty
2020
Installation vouw
The Bass, Miami Beach
Photo credit: Zachary Balber, courtesy of The Bass Miami Beach


Haegue Yang: Tracing Movement
Installation view at the South London Gallery, 2019
Photo: Andy Stagg


Haegue Yang: Tracing Movement
Installation view at the South London Gallery, 2019
Photo: Andy Stagg


Haegue Yang, Sonic Dress Vehicle – Hulky Head (detail), 2018
Installation view at the South London Gallery, 2019
Photo: Andy Stagg


Haegue Yang
Silo of Silence – Clicked Core
2017
Aluminum Venetian blinds, LED tubes, aluminum and steel hanging structure, powder coating, steel wire, revolving stage, cable
1105 x 780 x 780 cm
Courtesy of the artist
Installation view of Silo of Silence – Clicked Core, KINDL – Centre for Contemporary Art, Berlin, Germany, 2017
Photo: Jens Ziehe

Haegue Yang
Silo of Silence – Clicked Core
2017
Aluminum Venetian blinds, LED tubes, aluminum and steel hanging structure, powder coating, steel wire, revolving stage, cable
1105 x 780 x 780 cm
Courtesy of the artist
Installation view of Silo of Silence – Clicked Core, KINDL – Centre for Contemporary Art, Berlin, Germany, 2017
Photo: Jens Ziehe

Haegue Yang
VIP’s Union
2001/2017
Borrowed chairs and tables
Dimensions variable
Courtesy of the artist
Installation view of VIP´s Union – Phase I, Kunsthaus Graz, Austria, 2017
Photo: Universalmuseum Joanneum/ N. Lackner

Haegue Yang
VIP’s Union
2001/2017
Borrowed chairs and tables
Dimensions variable
Courtesy of the artist
Installation view of VIP´s Union – Phase I, Kunsthaus Graz, Austria, 2017
Photo: Universalmuseum Joanneum/ N. Lackner

Haegue Yang
Sol LeWitt Upside Down – Cube Structures Based on Five Modules, Central One Expanded 184 Times, Another Expanded 66 Times then Doubled and Mirrored #81-E
2017
Aluminum Venetian blinds, aluminum hanging structure, powder coating, steel wire, LED tubes, cable
455 x 703 x 496 cm
Courtesy of the artist
Installation view at Maison Hermès Dosan Park, Seoul, South Korea, 2017
Photo: Masao Nishkawa

Haegue Yang
Sol LeWitt Upside Down – Cube Structures Based on Five Modules, Central One Expanded 184 Times, Another Expanded 66 Times then Doubled and Mirrored #81-E
2017
Aluminum Venetian blinds, aluminum hanging structure, powder coating, steel wire, LED tubes, cable
455 x 703 x 496 cm
Courtesy of the artist
Installation view at Maison Hermès Dosan Park, Seoul, South Korea, 2017
Photo: Masao Nishkawa

Haegue Yang
Sol LeWitt Upside Down – Cube Structures Based on Five Modules, Central One Expanded 184 Times, Another Expanded 66 Times then Doubled and Mirrored #81-E
2017
Aluminum Venetian blinds, aluminum hanging structure, powder coating, steel wire, LED tubes, cable
455 x 703 x 496 cm
Courtesy of the artist
Installation view at Maison Hermès Dosan Park, Seoul, South Korea, 2017
Photo: Masao Nishkawa

Haegue Yang Installation view of The Grand Balcony La Biennale de Montréal 2016 Photo: Guy L'Heureux, La Biennale de Montréal

Haegue Yang
Installation view of The Grand Balcony
La Biennale de Montréal
2016
Photo: Guy L’Heureux, La Biennale de Montréal

Haegue Yang Installation view of The Grand Balcony La Biennale de Montréal 2016 Photo: Guy L'Heureux, La Biennale de Montréal

Haegue Yang
Installation view of The Grand Balcony
La Biennale de Montréal
2016
Photo: Guy L’Heureux, La Biennale de Montréal

Haegue Yang Installation view of The Grand Balcony La Biennale de Montréal 2016 Photo: Guy L'Heureux, La Biennale de Montréal

Haegue Yang
Installation view of The Grand Balcony
La Biennale de Montréal
2016
Photo: Guy L’Heureux, La Biennale de Montréal

Haegue Yang Installation view of The Grand Balcony La Biennale de Montréal 2016 Photo: Guy L'Heureux, La Biennale de Montréal

Haegue Yang
Installation view of The Grand Balcony
La Biennale de Montréal
2016
Photo: Guy L’Heureux, La Biennale de Montréal

Haegue Yang Installation view of The Grand Balcony La Biennale de Montréal 2016 Photo: Guy L'Heureux, La Biennale de Montréal

Haegue Yang
Installation view of The Grand Balcony
La Biennale de Montréal
2016
Photo: Guy L’Heureux, La Biennale de Montréal

Haegue Yang Lingering Nous 2016 Aluminum Venetian blinds, aluminum hanging structure, powder coating, steel wire, LED tubes, cable 933.5 x 963 x 1086 cm Courtesy of Galerie Chantal Crousel, Paris  Installation view of Lingering Nous, Centre Pompidou, Paris, France, 2016 Photo: Philippe Migeat

Haegue Yang
Lingering Nous
2016
Aluminum Venetian blinds, aluminum hanging structure, powder coating, steel wire, LED tubes, cable
933.5 x 963 x 1086 cm
Installation view of Lingering Nous, Centre Pompidou, Paris, France, 2016
Photo: Philippe Migeat

Haegue Yang Lingering Nous 2016 Aluminum Venetian blinds, aluminum hanging structure, powder coating, steel wire, LED tubes, cable 933.5 x 963 x 1086 cm Courtesy of Galerie Chantal Crousel, Paris  Installation view of Lingering Nous, Centre Pompidou, Paris, France, 2016 Photo: Philippe Migeat

Haegue Yang
Lingering Nous
2016
Aluminum Venetian blinds, aluminum hanging structure, powder coating, steel wire, LED tubes, cable
933.5 x 963 x 1086 cm
Installation view of Lingering Nous, Centre Pompidou, Paris, France, 2016
Photo: Philippe Migeat

Haegue Yang Lingering Nous 2016 Aluminum Venetian blinds, aluminum hanging structure, powder coating, steel wire, LED tubes, cable 933.5 x 963 x 1086 cm Courtesy of Galerie Chantal Crousel, Paris  Installation view of Lingering Nous, Centre Pompidou, Paris, France, 2016 Photo: Philippe Migeat

Haegue Yang
Lingering Nous
2016
Aluminum Venetian blinds, aluminum hanging structure, powder coating, steel wire, LED tubes, cable
933.5 x 963 x 1086 cm
Installation view of Lingering Nous, Centre Pompidou, Paris, France, 2016
Photo: Philippe Migeat

Haegue Yang Lingering Nous 2016 Aluminum Venetian blinds, aluminum hanging structure, powder coating, steel wire, LED tubes, cable 933.5 x 963 x 1086 cm Courtesy of Galerie Chantal Crousel, Paris  Installation view of Lingering Nous, Centre Pompidou, Paris, France, 2016 Photo: Philippe Migeat

Haegue Yang
Lingering Nous
2016
Aluminum Venetian blinds, aluminum hanging structure, powder coating, steel wire, LED tubes, cable
933.5 x 963 x 1086 cm
Installation view of Lingering Nous, Centre Pompidou, Paris, France, 2016
Photo: Philippe Migeat

Haegue Yang An Opaque Wind Park in Six Folds 2016 Clay bricks, mortar, aluminum turbine vents, steel, soil, stone, cork, various plants 318 x 1769 x 1233 cm Sonae | Serralves Commission 2016 Courtesy of the artist Installation view of An Opaque Wind Park in Six Folds, Serralves Museum of Contemporary Art, Porto, Portugal, 2016 Photo: Filipe Braga © Fundação de Serralves

Haegue Yang
An Opaque Wind Park in Six Folds
2016
Clay bricks, mortar, aluminum turbine vents, steel, soil, stone, cork, various plants
318 x 1769 x 1233 cm
Sonae | Serralves Commission 2016
Courtesy of the artist
Installation view of An Opaque Wind Park in Six Folds, Serralves Museum of Contemporary Art, Porto, Portugal, 2016
Photo: Filipe Braga © Fundação de Serralves

Haegue Yang An Opaque Wind Park in Six Folds 2016 Clay bricks, mortar, aluminum turbine vents, steel, soil, stone, cork, various plants 318 x 1769 x 1233 cm Sonae | Serralves Commission 2016 Courtesy of the artist Installation view of An Opaque Wind Park in Six Folds, Serralves Museum of Contemporary Art, Porto, Portugal, 2016 Photo: Filipe Braga © Fundação de Serralves

Haegue Yang
An Opaque Wind Park in Six Folds
2016
Clay bricks, mortar, aluminum turbine vents, steel, soil, stone, cork, various plants
318 x 1769 x 1233 cm
Sonae | Serralves Commission 2016
Courtesy of the artist
Installation view of An Opaque Wind Park in Six Folds, Serralves Museum of Contemporary Art, Porto, Portugal, 2016
Photo: Filipe Braga © Fundação de Serralves

Haegue Yang An Opaque Wind Park in Six Folds 2016 Clay bricks, mortar, aluminum turbine vents, steel, soil, stone, cork, various plants 318 x 1769 x 1233 cm Sonae | Serralves Commission 2016 Courtesy of the artist Installation view of An Opaque Wind Park in Six Folds, Serralves Museum of Contemporary Art, Porto, Portugal, 2016 Photo: Filipe Braga © Fundação de Serralves

Haegue Yang
An Opaque Wind Park in Six Folds
2016
Clay bricks, mortar, aluminum turbine vents, steel, soil, stone, cork, various plants
318 x 1769 x 1233 cm
Sonae | Serralves Commission 2016
Courtesy of the artist
Installation view of An Opaque Wind Park in Six Folds, Serralves Museum of Contemporary Art, Porto, Portugal, 2016
Photo: Filipe Braga © Fundação de Serralves

Haegue Yang An Opaque Wind Park in Six Folds 2016 Clay bricks, mortar, aluminum turbine vents, steel, soil, stone, cork, various plants 318 x 1769 x 1233 cm Sonae | Serralves Commission 2016 Courtesy of the artist Installation view of An Opaque Wind Park in Six Folds, Serralves Museum of Contemporary Art, Porto, Portugal, 2016 Photo: Filipe Braga © Fundação de Serralves

Haegue Yang
An Opaque Wind Park in Six Folds
2016
Clay bricks, mortar, aluminum turbine vents, steel, soil, stone, cork, various plants
318 x 1769 x 1233 cm
Sonae | Serralves Commission 2016
Courtesy of the artist
Installation view of An Opaque Wind Park in Six Folds, Serralves Museum of Contemporary Art, Porto, Portugal, 2016
Photo: Filipe Braga © Fundação de Serralves

Haegue Yang An Opaque Wind Park in Six Folds 2016 Clay bricks, mortar, aluminum turbine vents, steel, soil, stone, cork, various plants 318 x 1769 x 1233 cm Sonae | Serralves Commission 2016 Courtesy of the artist Installation view of An Opaque Wind Park in Six Folds, Serralves Museum of Contemporary Art, Porto, Portugal, 2016 Photo: Filipe Braga © Fundação de Serralves

Haegue Yang
An Opaque Wind Park in Six Folds
2016
Clay bricks, mortar, aluminum turbine vents, steel, soil, stone, cork, various plants
318 x 1769 x 1233 cm
Sonae | Serralves Commission 2016
Courtesy of the artist
Installation view of An Opaque Wind Park in Six Folds, Serralves Museum of Contemporary Art, Porto, Portugal, 2016
Photo: Filipe Braga © Fundação de Serralves

Installation view of Come Shower or Shine, It Is Equally Blissful, UCCA, Beijing, China, 2015
Photo: Tang Xuan

Installation view of Come Shower or Shine, It Is Equally Blissful, UCCA, Beijing, China, 2015
Photo: Tang Xuan

Installation view of Come Shower or Shine, It Is Equally Blissful, UCCA, Beijing, China, 2015
Photo: Tang Xuan

Installation view of Come Shower or Shine, It Is Equally Blissful, UCCA, Beijing, China, 2015
Photo: Tang Xuan

Installation view of Come Shower or Shine, It Is Equally Blissful, UCCA, Beijing, China, 2015
Photo: Tang Xuan

The Intermediate – Ceremonial Peacock Ball
2015
Artificial straw, steel stand, metal grid, powder coating
casters, Indian bells, Korean bridal crowns, artificial feathers
116 x 128 x 130 cm
45.7 x 50.4 x 51.2 in

The Intermediate – Ceremonial Peacock Ball
2015
Artificial straw, steel stand, metal grid, powder coating
casters, Indian bells, Korean bridal crowns, artificial feathers
116 x 128 x 130 cm
45.7 x 50.4 x 51.2 in

Sonic Sphere – Horizontally-ornamented Brass
2015
Steel stand, metal grid, powder coating, casters
brass plated bells, metal rings
100 x 89 x 87 cm
39.4 x 35 x 34.2 in

Sonic Sphere – Horizontally-ornamented Brass
2015
Steel stand, metal grid, powder coating, casters
brass plated bells, metal rings
100 x 89 x 87 cm
39.4 x 35 x 34.2 in

Sonic Sphere – Horizontally-ornamented Nickel
2015
Steel stand, metal grid, powder coating, casters
nickel plated bells, metal rings
86 x 8981 x 81 cm
33.85 x 31.88 x 31.88 in

Sonic Sphere – Horizontally-ornamented Nickel
2015
Steel stand, metal grid, powder coating, casters
nickel plated bells, metal rings
86 x 8981 x 81 cm
33.85 x 31.88 x 31.88 in

Sonic Rotating Geometry Type E – Nickel Plated #38
2014
Steel sheet, powder coating, ball bearings, metal grid, nickel plated bells, metal rings
100 x 100 x 8 cm (H x W x D), ca. 15.4 kg
39.37 x 39.37 x 3.14 in

Sonic Rotating Geometry Type E – Nickel Plated #38
2014
Steel sheet, powder coating, ball bearings, metal grid, nickel plated bells, metal rings
100 x 100 x 8 cm (H x W x D), ca. 15.4 kg
39.37 x 39.37 x 3.14 in

Sonic Rotating Geometry Type I – Brass Plated #25
2014
Steel sheet, powder coating, ball bearings, metal grid, brass plated bells, metal rings
94 x 100 x 8 cm
37 x 39.37 x x 3.14 in

Sonic Crescent Moon – Medium Regular #4
2014
Steel frame, metal grid, powder coating, nickel plated bells, metal rings
173 x 54 x 54 cm (H x W x D), 23.2 kg
68.11 x 21.25 x 21.25 in

Triangling Jungling Joggling
2014
Aluminum Venetian blinds, aluminum hanging structure, powder coating, steel wire, cables, light bulbs.
193 height x 206 width x 306 depth cm
76 height x 81.1 width x 120.5 depth in

Triangling Jungling Joggling
2014
Aluminum Venetian blinds, aluminum hanging structure, powder coating, steel wire, cables, light bulbs.
193 height x 206 width x 306 depth cm
76 height x 81.1 width x 120.5 depth in

Triangling Jungling Joggling (detail)
2014

Triangling Jungling Joggling (detail)
2014

Sonic Rotating Geometry Type G –
Brass Plated #20
2014
Steel sheet, powder coating, ball bearings,
metal grid, brass plated bells, metal rings
90 x 95 cm
35.4 x 37.4 in

Deep Quest
2012
Single shaft clothing rack (chrome) on casters with round top, knitting yarn, light bulbs (frosted), cable, cord, zip ties, papier mâché, watercolor, varnish, acrylic paint, sequins, metal rings, metal grid, metal quadrangle, plastic price frame, fringe
189 cm high x 100 cm diameter

Bright Quest
2012
Single shaft clothing rack (cream-colored) on casters with
open round top, knitting yarn, light bulbs (frosted), cable,
cord, paint, zip ties, papier mâché, water color, varnish,
acrylic paint, sequins, metal rings, funnel, key – ring, metal
grid, shampoo holder, towel-holder
196 cm high x 103 cm diameter

Blue Quest
2013
Triple shaft tie rack on casters, frosted light bulbs, cable, cord, zip ties, nickel-plated bells, brass-plated bells, aluminum whistles, plumbing knobs
181 x 97 x 97 cm
73.1 x 38.2 x 38.2 inches

Warrior Believer Lover, 2011. Installation view 3rd floor, Kunsthaus Bregenz
Photo: MARKUS TRETTER © Kunsthaus Bregenz, HAEGUE YANG

Cittadella, 2011. Installation view 2nd floor, Kunsthaus Bregenz
Photo: MARKUS TRETTER © Kunsthaus Bregenz, HAEGUE YANG

Series of Vulnerable Arrangements, Voice and Wind, 2010
Installation view, “Voice and Wind” at New Museum, New York
© New Museum, New York. Photo by BENOIT PAILLEY

Series of Vulnerable Arrangements, Voice and Wind, 2010
Installation view, “Voice and Wind” at New Museum, New York
© New Museum, New York. Photo by BENOIT PAILLEY

Mountains of Encounter, 2008
Installation view of WHOSE HISTORY at the Kunstverein in Hamburg, Germany, 2008
Photos: FRED DOTT. © Galerie Wien Lukatsch, Berlin, Germany

Kaleidoscopic Jewel Glow – Trustworthy #195
2013
4 pieces, various envelope security patterns, framed
102.1 x 102.10 cm (each piece)
40.2 x 40.2 inches (each piece)

Kaleidoscopic Jewel Glow – Trustworthy #197
2013
4 pieces, various envelope security patterns, framed
102.1 x 102.10 cm (each piece)
40.2 x 40.2 inches (each piece)

Origami Dust – Side Effects and By-Products
2004 – 2012
10 collages in 2 rows
Collages with flattened origami objects, framed
62,40 x 62.4 cm (each frame)

Trustworthy Turban #164
2012
Paper collage, various envelope security patterns, grid paper, framed
100 x 70 cm

Trustworthy X # 142
2012
Various envelope security patterns, framed
100 x 70 cm

Trustworthy X # 141
2012
Various envelope security patterns, framed
100 x 70 cm

Non-moving self
2007
rotating mirror, 60 cm diameter

Born 1971 in Seoul, South Korea
Lives and works in Berlin, Germany
and Seoul, South Korea

Solo Exhibitions

2020
Haegue Yang: Strange Attractors, Tate St. Yves,
Cornwall*
Haegue Yang: The Cone of Concern, MCAD,
Manila
MMCA Hyundai Motor Series 2020: Haegue Yang – O2 & H2O, Seoul*
Haegue Yang: Emergence
, Art Gallery of Ontario, Toronto*

2019
In the Cone of Uncertainty, The Bass Museum of Modern Art, Miami*
Handles, The Museum of Modern Art – MoMA, New York
When the Year 2000 Comes, Kukje Gallery, Seoul*
The Seventh Continent, 16th Istanbul Biennial, Istanbul
Tracing Movement, South London Gallery, London
Forum for Drone Speech – Singapore Simulations, National Gallery Singapore

2018
Chronotopic Traverses, La Panacée-MO.CO, Montpellier*
Triple Vita Nestings
, IMA, Brisbane
Tightrope Walking and Its Wordless Shadow, Triennale di Milano, Milan*
Haegue Yang: VIP’s Union – Phase II, Kunsthaus Graz, Graz
ETA 1994-2018. 2018 Wolfgang Hahn Prize, Museum Ludwig, Cologne*

2017
Quasi-ESP, Galerie Chantal Crousel, Paris
Silo of Silence – Clicked Core, KINDL – Zentrum für zeitgenössische Kunst, Berlin
Haegue Yang: The VIP’s Union, Kunsthaus Graz, Graz
Maison Hermès Dosan Park, Seoul
Kurimanzutto, Mexico City
Quasi-Pagan Seasonal Shift, Aïshti by the Sea, Antelias

2016
Quasi-Pagan Modern, Galeries Lafayette Haussmann, Paris
Lingering Nous, Centre Pompidou, Paris*
An Opaque Wind Park in Six Folds, Serralves Museum of Contemporary Art, Porto*
Quasi-Pagan Serial, Hamburger Kunsthalle, Hamburg
Quasi-Pagan Minimal, Greene Naftali, New York

2015
Come Shower or Shine, It Is Equally Blissful, Ullens Center for Contemporary Art, Beijing*
Temporary Permanent, Galerie Barbara Wien, Berlin
Sample Book, dépendance, Brussels
Shooting the Elephant 象 Thinking the Elephant, Leeum, Samsung Museum of Art, Seoul

2014
Follies, Merfach, Bonner Kunstverein, Bonn
Accommodating the Epic Dispersion – On Non-cathartic Volume of Dispersion, Art Unlimited, Basel
Man in the Mirror, Vanhaerents Art Collection, Brussels

2013
Anachronistic Layers of Dispersion, Henry Art Gallery, Seattle
Honesty Printed on Modesty, Singapore Tyler Print Institute, Singapore*
Journal of Echomimetic Motions, Bergen Kunsthall, Bergen*
Journal of Bouba/kiki, Glasgow Sculpture Studios, Glasgow*
Corrugated Totems with Glitter Dance, Vitrines sur l’Art – Museums of Strasbourg, Galeries Lafayette, Strasbourg
Family of Equivocations, Aubette 1928 and Museum of Modern and Contemporary Art, Strasbourg
Ovals and Circles, Galerie Chantal Crousel, Paris
Art Wall: Haegue Yang, The Institute of Contemporary Art, Boston

2012
Accomodating the Epic Dispersion, Haus der Kunst München, Munich
Ajar, La Douane, Galerie Chantal Crousel, Paris
The Tanks: Art in Action, Tate Modern, London
Troubling Space: The Summer Sessions, The Zabludowicz Collection, London
Wide Open School, Hayward Gallery, London
Roll-Cosies, Kunsthalle Marcel Duchamp, Cully
Multi Faith Room, Greene Naftali, New York
Haegue Yang, Rivane Neuenschwander, Overbeck-Gesellschaft, Lübeck

2011
Escaping Things and Words, Haegue Yang, Rivane Neuenschwander, Kunsthalle Lingen, Lingen
The Art and Technique of Folding the Land, Aspen Art Museum, Aspen, Colorado*
The Sea Wall: Haegue Yang with an inclusion by Felix Gonzalez-Torres, Arnolfini, Bristol
Teacher of Dance, Modern Art Oxford, Oxford*
Arrivals, Kunsthaus Bregenz, Bregenz*

2010
Voice and Wind, New Museum, New York
Voice Over Three, Artsonje Center, Seoul*
Closures, Galerie Barbara Wien Wilma Lukatsch, Berlin

2009
Integrity of the Insider, Walker Art Center, Minneapolis
Condensation, South Korean Pavilion, 53rd Biennale, Venice*

2008
Symmetric Inequality, Sala Rekalde, Bilbao*
Asymmetric Equality, REDCAT, Los Angeles*
Siblings and Twins, Portikus, Frankfurt a.M.*
Hamburger Kunsthalle, Galerie der Gegenwart, Hamburg
Lethal Love, CUBITT, London

2007
Unpacking Storage Piece, Haubrokshows, Berlin*
Foxed in the Forest, dépendance, Brussels
Seven Basel Lights, Art Statements with Galerie Barbara Wien, Basel*
Remote Room, Galerie Barbara Wien, Berlin

2006
Sadong 30, Incheon*
Unevenly, BAK, basis voor actuele kunst, Utrecht*

2005
Cremer-Preis, LWL – Landesmuseum für Kunst und Kulturgeschichte, Münster

2004
Kasse, Shop, Kino und Weiteres, Hessisches Landesmuseum, Darmstadt*
Unfolding, dépendance, Brussels
Alterity Display, Lawrence O’Hana Gallery, London
Unfolding Places, Galerie Barbara Wien, Berlin

2003
Unrealistic to Generalize, Public, Paris

2002
Air and Water, Dresdner Bank, Frankfurt a.M.*

2001
Sonderfarben, Kommunale Galerie, Darmstadt*

2000
Blaue Wiese – Farbige Sprache, Künstlerhaus Mousonturm, Frankfurt a.M.
Bejahung und Verneinung, Kolster, Galerie für junge Kunst, Frankfurt a.M.
Lacquer Paintings 2000, Galerie Barbara Wien, Berlin

1999
Hamburgefonstiv, 1822 Forum der Frankfurter Sparkasse, Frankfurt a.M.*

1995
rraum, Frankfurt a.M.

Group Exhibitions

2021
The Paradox of Stillness, Walker Art Center, Minneapolis (upcoming, May)

2020
Ground/Work, The Clark, Williamstown
One Espace at a Time,
Seoul Mediacity Biennale 2020, Seoul
Gwanju Biennale 2020: Minds Rising, Spirits Tuning, Gwangju
Pine’s Eye, Talbot Rice Gallery, Edinburgh
Arts Crafts, Galerie für Zeitgenössische Kunst Leipzig, Leipzig
Arts Crafts, Kestnergesellschaft, Hanover
Things Things Say, Barcelona Contemporary Art Centre, Barcelona

2019
Arts_Crafts, Kunsthaus Graz
Hidden Beauty, Kunsthalle Nürnberg
Art Encounters Biennial 2019, Timișoara
The Seventh Continent, 16th Istanbul Biennial 2019
Homo Faber, Asia Culture Center, Gwangju
40,000. A Museum of Curiosity, Triennial of Small-Scale Sculpture, Fellbach
Less is a Bore: Maximalist Art & Design, Institute of Contemporary Art / Boston
Work, Work, Work, Gallery of Modern Art, Brisbane, Queensland
Materials and Objects, Tate Modern, London
And Berlin Will Always, Berliner Festspiele, Gropius Bau, Berlin
An Opera for Animals, Para Site, Hong Kong
Mere Constructions, Kanal – Centre Pompidou, Brussels
The Geffen Contemporary, The Museum of Contemporary Art (MOCA), Los Angeles

2018
Minimalism, National Gallery Singapore
Wild West, Foundation De 11 Lijnen, Oudenburg
Suspension – A History of Abstract Hanging Sculpture. 1918–2018, Palais d’Iéna, Paris
The World on Paper, Deutsche Bank Collection, Palais Populaire, Berlin
Abenteuer Freundschaft, Kunstsaele Berlin
The World to Come: Art in the Age of the Anthropocene, Harn Museum of Art, Gainesville, Florida
A Time Capsule Revisited: A New Installation of Works Made by Women for Parkett (1984-2017)
GMoMA Collection Highlights, Gyeonggi Museum of Modern Art, Ansan, Korea
Beautiful World, Where Are You?, Liverpool Biennial 2018, Tate Liverpool
Generations: Künstlerinnen im Dialog Part 1, Sammlung Goetz, Munich
Sydney Biennale, SUPERPOSITION: Art of Equalibrium and Engagement, Sydney, Australia

2017
Again and Against, Hamburger Kunsthalle, Hamburg
Field Guide, Remai Modern, Saskatoon, Canada
The Trick Brain, Aishti Foundation, Lebanon
Junge Sammlungen 04: The Vague Space. Sammlung Christian Kaspar Schwarm, Weserburg Museum für moderne Kunst, Bremen
Children’s Games, ADN Collection, Bolzano
WheredoIendandyoubegin – On Secularity, 9th Göteborg International Biennial for Contemporary Art (GIBCA), Göteborg
Soil and Stones, Souls and Songs, Jim Thompson Art Centre, Bangkok
Wither the Winds, The Malmö Art Academy, at the occasion of Lund University’s 350th Jubilee, Lundskonsthal, Lund
Duett mit Künstlerin, Museum Morsbroich, Leverkusen
Wherever the Wind Carries, Lunds Konsthall, Lund
Medusa – Bijoux et tabous, Musée d’Art Moderne de la Ville de Paris
California-Pacific Triennial: Building As Ever, Orange County Museum of Art, Newport Beach, USA
MIDTOWN, organized by Maccarone, Salon 94 Design, and Salon 94, Lever House, New York, USA
Lesson Ø, National Museum of Modern and Contemporary Art, Gwacheon, South Korea
Duddell’s x Biennale of Sydney. Abstraction of the World, Duddell’s, Hong Kong
Soil and Stones, Souls and Songs, Para Site, Hong Kong, China
Haegue Yang, mezzaterra11 – flat gallery, Belluno
Condo, dépendance at Maureen Paley, London

2016
Heterotopias. Avant-gardes in Contemporary Art, Museum of Modern and Contemporary Art and Aubette 1928, Strasbourg
Looks Good on Paper, Singapore Tyler Print Institute, Singapore
The Grand Balcony, La Biennale de Montreal, Montreal
Ad Intérieurs, à l’Univers des collectionneurs, La Monnaie de Paris, Paris
Das Loch, Künstlerhaus Bremen, Bremen
Exquisite Corpse, Galerie Chantal Crousel at The Mistake Room, Los Angeles
Public to Private: Photography in Korean Art since 1989, National Museum of Modern and Contemporary Art, Seoul, South Korea
Idiosyncrasy: Anchovies Dream of an Olive Mausoleum, The Cáceres Visual Arts Centre, Helga de Alvear Foundation, Cáceres, Spain
Presently, neugerriemschneider, Berlin
Daily Formalism, Mabsociety, Shanghai, China
Yoko Ono: LUMIÈRE DE L’AUBE, The Museum of Contemporary Art Lyon, Lyon
gerlach en koop, Bonnefantenmuseum Maastricht, Maastricht
MashUp: The Birth of Modern Culture, Vancouver Art Gallery, Vancouver
kurimanzutto travels to Jessica Silverman Gallery: from here to there, Jessica Silverman Gallery, San Francisco

2015
Mobile M+: Live Art, M+, Hong Kong, China
The Malady of Death: Écrire and Lire, commissioned by M+ for Mobile M+: Live Art, Hong Kong
The Eighth Asia Pacific Triennial of Contemporary Art (APT8), Queensland Art Gallery, Brisbane,Australia
Office Space, Yerba Buena Center for the Arts, San Francisco
Paradox of Place: Contemporary Korean Art, Seattle Asian Art Museum, Seattle
Remember Lidice, Edition Block, Berlin
La vie moderne, 13th Biennale de Lyon, Lyon
J’adore, Kunsthalle Lingen, Lingen
Future Light, MAK – Austrian Museum for Applied Arts/Contemporary Art, Vienna
Passing Leap, Hauser & Wirth, New York
Scenes for a New Heritage: Contemporary Art from the collection, MoMA, New York
As We Never Imagined: 50 Years of Art Making, STPI gallery, Singapore
After Babel, Moderna Museet, Stockholm
Absolute Collection Guideline, Sifang Art Museum, Nanjing, China
Storylines: Contemporary Art at the Guggenheim, Guggenheim Museum, New York
Works on Paper, Greene Naftali, New York
Fiber: Sculpture 1960-present, Des Moines Art Center, Iowa, USA
Temporary Permanent, Galerie Wien Lukatsch, Berlin
Feminismen, Nordsternturm Videoart Center, Gelsenkirchen
Suppleness and Rigidity – The Art of the Fold, Kunstraum Alexander Bürkle, Freiburg
The past, the present, the possible, Sharjah Biennale 12 , Sharjah, UAE
Man in the Mirror, Vanhaerents Art Collection, Brussels
360°: Die Rückkehr der Sammlung, Stiftung Kunstmuseum Stuttgart, Stuttgart

2014
Music Palace contemporary Art and Music, Villa Empain, Brussels
Double Life, Contemporary Arts Museum Houston
Fiber: Sculpture 1960-present, ICA Boston, USA
The Great Acceleration, Taipei Biennial 2014
Ghosts, Spies, and Grandmothers, SeMA Biennale Mediacity Seoul 2014, Seoul, Korea
Light Night, Wallspace, New York
Don’t You Know Who I Am? Art After Identity Politics, Museum van Hedendaagse Kunst Antwerpen, Antwerp
Objectology – Design and Art, National Museum of Modern and Contemporary Art, Gwacheon, South Korea
Histories I – Works from the Serralves Collection, Fundação de Serralves, Porto
The Part In The Story Where A Part Becomes A Part Of Something Else,
Witte de With Center for Contemporary Art, Rotterdam
Salon distingué – Hausrat in guter Gesellschaft, Museum Langmatt, Baden
Man in the Mirror, Vanhaerents Art Collection, Brussels
KUB Collection Showcase – New Acquisitions from Ai Weiwei to Zobernig, Kunsthaus Bregenz, Bregenz
The Hawker, dépendance at Carlos/Ishikawa, London, UK

2013
I KnOw YoU, Irish Museum of Modern Art, Dublin
Sammlung Haubrok bei Falckenberg – No Desaster, Sammlung Falckenberg, Hamburg

2012
Dislocation, Daegu Art Museum, South Korea
Museum für Gegenwartskunst, Siegen
Gertrude Contemporary Museum, Melbourne
Inside Out and from the Ground Up, Museum of Contemporary Art Cleveland (MOCA), Cleveland
TBK, dépendence, Brussels
Glasgow Sculpture Studios, Glasgow
Urdaibai Art, the first biennial of art, nature and urbanism, Urdaibai Natural Reserve, Gernika, Bermeo, Spain
Superbody, Galerie Chantal Crousel, Paris
Soundworks, Institute of Contemporary Arts, London
dOCUMENTA (13), Kassel, Germany
Orchesterwechsel – 10 Jahre Sammlung Rheingold, Schloss Dyck, Jüchen
An Exhibition of a Study on Knowledge, Forum Stadtpark, Graz
The Touch of Life, Galerie Anita Beckers, Frankfurt am Main
Abstract Possible: The Stockholm Synergies, Tensta Konsthall, Stockholm
How Physical, The Yebisu International Festival for Art & Alternative Visions 2012, Tokyo Metropolitan Museum of Photography, Tokyo
DLA Was / For You, Muzeum Sztuki, Lodz, Poland

2011
City within the City, Artsonje Center, Seoul, South Korea (travels to Gertrude Contemporary, Melburn, Australia, 2012)
The Grand Domestic Revolution – User’s Manual, Casco – Office for Art, Design and Theory, Utrecht
Monument Valley (Jaegerspris revisited – a Hommage to Johannes Wiedewelt), UFO, Berlin
Berlin 2000-2011. Playing among the Ruins, Museum of Contemporary Art Tokyo, Tokyo
D’un autre Monde, Le Printemps de Septembre, Toulouse
Kunst und Philosophie, n.b.k. – Neuer Berliner Kunstverein, Berlin
Tell Me Tell Me: Australian and Korean Art 1976-2011, National Art School Gallery, Sydney
The Spiral and the Square. Exercises on Translatability, Bonniers Konsthall, Stockholm (travels to Trondheim Kunstmuseum, Trondheim, Norway; SKMU, Sørlandets Kunstmuseum, Kristiansand, Norway)
Folding: The Art of Simplicity, KCDF Gallery, Seoul, South Korea
Open Days, Le Consortium, Dijon
Nach Abschluss der Reise, KW Institute of Contemporary Art, Berlin
A Wedding, Para/Site Art Space, Hong Kong, China
Human Nature: Contemporary Art from the Collection, LACMA – Los Angeles County Museum of Art, Los Angeles
Air Hole: Another Conceptualism from Asia, The National Museum of Art, Osaka, Japan

2010
Watchmen, Liars, Dreamers, Le Plateau, Frac Île-de-France, Paris
10000 Lives, 8th Gwangju Biennale, Gwangju, South Korea
Workers Leaving the Workplace, Muzeum Sztuki, Lodz, Poland
Urban Origami, PM Gallery & House, London
The Pursuer, Greene Naftali Gallery, New York
The New Décor, Hayward Gallery, London (traveled to: Garage CCC – Center for Contemporary Culture, Moscow, Russia).
Oh! Masterpieces, Gyeonggi Museum of Modern Art, Ansan, South Korea
Like Eskimo Space, 1857, Oslo
Squatting. erinnern, vergessen, besetzen, Temporäre Kunsthalle Berlin, Berlin
Open Light in Private Spaces, Biennale for International Light Art Ruhr. 2010, Unna, Germany
After Architects, Kunsthalle Basel, Basel
Intro Motion Ditch, Art Sheffield, S1 Artspace, Sheffield
Self as disappearance, Centre d’Art Contemporain, La Synagogue de Delme, Delme

2009
Zeigen. Eine Audiotour durch Berlin, Temporäre Kunsthalle Berlin, Berlin
UNDER COVER I – special editions in books, boxes & rolls, Galerie Barbara Wien, Berlin
From the Gathering, Helen Pitt Gallery, Vancouver
Horizontale Durchlässigkeiten, Alte Fabrik, Rapperswil, Switzerland
Monument to Transformation, City Gallery Prague, Prague (traveled to: Centro Cultural Montehermoso, Vitoria-Gasteiz, Spain)
Sequelism Part 3: Possible, Probable, or Preferable Futures, Arnolfini, Bristol
Everything, then, passes between us, Kölnischer Kunstverein, Cologne
Your Bright Future: 12 Contemporary Artists from Korea, LACMA – Los Angeles County Museum of Art, Los Angeles (traveled to: The Museum of Fine Arts, Houston, USA).
Making Worlds, 53rd International Art Exhibition, Venice Biennale, Venice
Pop Up!, Ludwig Forum für Internationale Kunst, Aachen
Assume Nothing: New Social Practice, Art Gallery of Greater Victoria, Victoria, Canada

2008
If we can’t get it together, The Power Plant, Toronto, Canada
27 november – 21 january, 2009, dépendance, Brussels
50 Moons of Saturn, 2nd Torino Triennale, Turin
The Twentyfirst, Silver Shed, New York
Zeitblick. Ankäufe der Sammlung Zeitgenössische Kunst der Bundesrepublik Deutschland 1998-2008, Martin-Gropius-Bau, Berlin
Pontos de Vista, Galeria Mata, Inhotim, Brumadinho, Brasil
Akademie Schloss Solitude, Stuttgart, Germany
Farewell to Post-Colonialism. The 3rd Guangzhou Triennial, Guangzhou, Guangdong, China
The Krautcho Club / In and Out of Place, Galerie im Regierungsviertel, Berlin (traveled to: 176 Gallery, London)
Eurasia. Geographic cross-overs in Art, MART – Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto
LESS, haubrokshows, Berlin
Life On Mars, 55th Carnegie International, Pittsburgh, USA
Global EurAsia, Art Cologne, Cologne
run run, Collins Gallery, Glasgow (commissioned by Glasgow International)
Open / Invited e v+ a  2008 – too early for vacation, e v+ a – exhibition of visual art, Limerick, Ireland
Der grosse Wurf – Faltungen in der Gegenwartskunst, Museum Haus Lange / Kaiser Wilhelm Museum, Krefeld, Germany
Von dem was dann noch bleibt, Nassauischer Kunstverein, Wiesbaden
Interfacing Practices, Galerie Magnus Müller, Berlin
freunde und bekannte, Sparwasser HQ, Berlin
Wessen Geschichte, Kunstverein Hamburg, Hamburg

2007
Anyang Public Art Project (APAP), Anyang, South Korea
Off Pages, The Bookmakers SQ.MT., Turin
If I can’t dance, I don’t want to be part of your Revolution, Edition II, Episode IV: Feminist Legacies and Potentials in Contemporary Art Practice, Museum van Hedendaagse Kunst Antwerpen, Antwerp
Potentials in Contemporary Art Practice, Museum van Hedendaagse Kunst Antwerpen, Antwerp
Tomorrow, Artsonje Center & Kumho Museum, Seoul, South Korea
Brave New Worlds, Walker Art Center, Minneapolis, USA (traveled to: Fundación/Colección Jumex, Mexico City, Mexico)
Something Mr. C can’t have, KIAF, Coex Hall, Seoul, South Korea
Micro Narratives, 48th October Salon, Belgrade, Serbia
Virtuoso Interpretor – Formalismus als Formalismuskritik, Cluster, Berlin
RE-DIS-PLAY – Nicht-Kunst-Sammlungen von Künstlern und Kuratoren, Heidelberger Kunstverein, Heidelberg
Flash Cube, Leeum, Samsung Museum of Art, Seoul, South Korea
Imagine Action, Lisson Gallery, London
Made in Germany, Kestnergesellschaft, Hanover; Sprengel Museum, Hanover and Kunstverein Hannover, Hanover
PRAGUEBIENNALE 3, Prague, Czech Republic
Brennschluss, Galerie Andreas Huber, Vienna
Kunstpreis der Böttcherstrasse 2007, Kunsthalle Bremen, Bremen
dépendance at Galerie Neu, Galerie Neu, Berlin
Modelle für Morgen: Köln, European Kunsthalle, Cologne
Mandla Reuter, Haegue Yang, Flaca, London
Break through to Grey Room, Casabarata, Kasbah Museum, Tangier, Morocco
STADTanSICHTen. Seoul: Räume, Menschen, ifa-Galerie Stuttgart (traveled to: ifa-Galerie Berlin, Institut für Auslandsbeziehungen, Berlin, Germany).

2006
Political Design, Design of Politics, Zero One Design Centre, Seoul, South Korea
Personal Affairs. Neue Formen der Intimität, Museum Morsbroich, Leverkusen, Germany
If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution, Edition II: Feminist Legacies and Potentials in Contemporary Practice, De Appel, Amsterdam
Como Viver Junto – How to Live Together, 27. Biennale São Paulo, São Paulo
Pigment Piano Marble, Maipú, Buenos Aires, Argentina
e-flux Video Rental, Mücsarnok Kunsthalle Budapest, Budapest, Hungary 2006; Arthouse Texas, Texas, Austin, USA, 2006; Carpenter Center for the Visual Arts, Cambridge / MA, USA, 2007; Centre Culturel Suisse, Paris, France, 2007; CAMJAP, Lissabon, Portugal, 2008; and Fondazione Giuliani, Rom, Italy, 2010
Haubrokworks – Sounds of Silence, Galerie Gisela Capitain, Cologne

2005
Lichtkunst aus Kunstlicht, ZKM – Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany
Punkt und Linie, Fläche und Raum, Overbeck-Gesellschaft, Lübeck, Germany
Schnur im Nebel, Doppelzimmer, Gießen, Germany

2004
Steaming away from the Places, Sangmyung University Museum, Seoul, South Korea
D-Freezone. Site 2: Korean Express, in the frame of 5th Gwangju Biennale, Gwangju, South Korea
This is not a Love Letter, Marronnier Art Center, Seoul, South Korea
Black Friday. Exercises in Hermetics, Galerie Kamm, Berlin
Liquidation totale, dépendance, Brussels
XS: An Invitational Exhibition, f a projects, London
Documents, Seoul Metropolitan Museum of Arts (currently Seoul Museum of Art), Seoul, South Korea
Chasm, 3rd Busan Biennale, Busan, South Korea
Mix Max, Artsonje Center, Seoul, South Korea

2003
From Dust to Dusk – International Exhibition of Contemporary Art, Kunsthal Charlottenborg, Copenhagen
Hermès Korea Missulsang, Artsonje Center, Seoul, South Korea
Make It New, Portikus in Kooperation mit Dresdner Kleinwort Wasserstein, Frankfurt a.M.
Demirrorized Zone, de Appel, Amsterdam
Türme Babylons, Landesmuseum Mainz, Mainz

2002
Subtiles élégances, La Galerie, Centre d’art contemporain, Noisy-le-Sec
The Fall, Galleri Christina Wilson, Copenhagen
Kunst und Technik, Mannheimer Kunstverein, Mannheim
Cité des Ondes, Cienquième Manifestation Internationale Vidéo et Art Électronique, Champ Libre, Montreal, Canada.
40 Jahre: Fluxus und die Folgen, Wiesbadener Kunstsommer, Wiesbaden, Germany
Manifesta 4, European Biennial of Contemporary Art, Frankfurt a.M.
P_A_U_S_E, 4th Gwangju Biennale, Gwangju, South Korea
New Tendencies in Korean Art: Paradise Among Us, Marronnier Art Center (currently: Arko Art Center), Seoul, South Korea
BLINK, Artsonje Center, Seoul, South Korea
Kunstpreis der Deutschen Volksbanken und Raiffeisenbanken, KW Institute of Contemporary Art, Berlin
Ssamzie Studio 3, Ssamzie Space, Seoul, South Korea

2001
1 Site – 2 Places, project room, Galerie der Stadt Sindelfingen, Sindelfingen, Germany
KunstPraxis, Siemens Arts Program, Munich
Invisible Touch, Artsonje Center, Seoul, South Korea
We’re not here to give you pleasure, rraum 02, Frankfurt a.M. (traveled to: rraum 03, Protoacademy, Edinburgh; G39, Cardiff; Galerie Art & Essai, Rennes)
VIP’s Union, VIP Lounge, 6th Art Forum Berlin, Berlin
Tirana Biennale 1: Escape, Tirana, Albania
Zu Gast, Bellevue-Saal, Wiesbaden, Germany
Frankfurter Kreuz: Transformationen des Alltäglichen in der zeitgenössischen Kunst, Schirn Kunsthalle, Frankfurt a.M.
Lunchtime of Necktie Force, The Posco Museum, Seoul, South Korea

2000
Art or Design, Seoul Arts Center, Seoul, South Korea
Café Helga & Galerie Goldankauf, Kunstraum München, Munich
Anno Zero, Cittadellarte – Fondazione Pistoletto, Biella

1998
Gegendarstellung, Manufaktur, Frankfurt a.M.
Stuttgart, 17.7.1956 – Salem (Wis.)/USA, 3.3.1977, Portikus, Frankfurt a.M.
Seoul in Media: Food, Clothing, Shelter, Seoul Museum of Art, Seoul, South Korea
Where I Am, Lisbon World Exposition, Galeria Municipal da Mitra, Lisbon
I-20, with Caroline Krause, Galerie Konstantin Adamopoulos, Frankfurt a.M.

Collections

Bristol’s Museums, Galleries & Archives, Bristol, UK.
Carnegie Museum of Art, Pittsburgh, USA.
Explum, Murcia, Spain.
Galerie für Zeitgenössische Kunst, Leipzig, Germany.
Kulturstiftung des Bundes, Halle an der Saale, Germany.
Kunsthalle Hamburg, Germany.
Leeum, Samsung Museum of Art, Seoul, Korea.
Los Angeles County Museum of Art, Los Angeles, USA.
Museum of Modern Art, New York, USA.
Muzeum Sztuki, Lodz, Poland.
Sammlung Haubrok, Berlin, Germany.
Solomon R. Guggenheim Museum, New York, USA.
The Museum of Fine Arts, Houston, Texas, USA.
Walker Art Center, Minneapolis, Minnesota, USA.
Westfälisches Landesmuseum, Münster, Germany.
Zabludowicz Collection.

Haegue Yang
In the Cone of Uncertainty
2019
Published by: Hatje Cantz and The Bass Museum of Art, Miami Beach
Softcover
21.5 x 28 cm / 8.4 x 11 in
112 pages
English
28 EUR

Haegue Yang: When The Year 2000 Comes
2019
Published by: Kukje Gallery ed. by Heijeong Yoon
Softcover
22 x 28 cm / 8.6 x 11 in
66 pages
English/Korean
22,95 EUR

Haegue Yang: Anthology 2006–2018. Tightrope Walking and Its Wordless Shadow
2019
Published by: Skira editore S.p.A. ed. by Bruna Roccasalva
Hardcover
16.5 x 24 cm / 6.5 x 9.4 in
448 pages
English/Italian
45 EUR

Grid Bloc Square – Six Folds
In collaboration with Jeong Hwa Min
2018
Published by: Wiens Verlag, Berlin
Graph paper pad, offset print, glue binding
32 x 29.7 cm / 12.5 x 11.6 in
96 pages

25 EUR

Haegue Yang: Chronotopic Traverses
2018
Published by: Bom Dia Boa Tarde Boa Noite, Berlin
Softcover
27.5 x 21 cm / 10.8 x 8.2 in
80 pages
English/French
21 EUR

Haegue Yang: ETA 1994–2018, 2018 Wolfgang Hahn Prize
2018
Published by: Verlag der Buchhandlung Walther König, Cologne
Softcover
25 x 18 cm / 9.8 x 7 in
87 pages
English/German
14 EUR

Haegue Yang
VIP’s Union 2001–2018
2018
Published by: BOM DIA BOA TARDE BOA NOITE, Berlin
Softcover
23 x 18,5 cm / 9 x 7.3 in
176 pages
English
SOLD OUT

Haegue Yang
ETA 1994-2018 – Wolfgang Hahn Preis 2018
2018
Published by: Verlag der Buchhandlung Walther König, Cologne
Hardcover
26 x 31 cm / 10.2 x 12.2 in
415 pages
English
58 EUR

Haegue Yang
Lingering Nous
2017
Published by: Les presses du réel, France, Published with Centre Pompidou, Paris
Hardcover
21 x 27 cm / 8.2 x 10.6 in
160 pages
English/French
35 EUR

Haegue Yang An Opaque Wind Park in Six Folds 2016 120 pg. 23 x 30 cm Soft Cover Fundação de Serralves Portuguese + English ISBN: 978-972-739-338-1 € 29,00

An Opaque Wind Park in Six Folds
2016
Published by: Fundação de Serralves, Porto
Softcover
23 x 30 cm / 9 x 11.8 in
120 pages
English/ Portuguese
29 EUR

Graph paper pad, offset print In collaboration with Jeong Hwa Min Cover font design by Wolfgang Breuer Published by Wiens Verlag, Berlin 32 x 29.7 cm, 96 pages, printed on one side, ed. of 800 copies ISBN: 978-3-943888-09-6 24.00 EUR

Grid Bloc Squares – Five Folds.
In collaboration with Jeong Hwa Min
2016
Published by: Wiens Verlag, Berlin
Graph paper pad, offset print, Softcover
32 x 29.7 cm / 12.5 x 11.6 in
96 pages

24 EUR

Graph paper pad, offset print In collaboration with Jeong Hwa Min Cover design by Studio Manuel Raeder Published by Wiens Verlag, Berlin and Bom Dia Boa Tarde Boa Noite, Berlin A3, 48 pages, edition of 1000 copies ISBN: 978-3-9811288-5-7 ISBN: 978-3-943514-13-1 24.00 EUR

Grid Bloc
In collaboration with Jeong Hwa Min
2013
Published by: Wiens Verlag, Berlin and Bom Dia Boa Tarde Boa Noite, Berlin
Graph paper pad, offset print, Softcover
A3
48 pages

SOLD OUT

Shooting the Elephant 象 Thinking the elephant
2015
Published by/ed. by Leeum, Samsung Museum of Art, Seoul and Studio Haegue Yang
2 books
76 and 84 pages
English/Korean
SOLD OUT

Family of Equivocations
2013
Published by: Editions des Musées de Strasbourg, Distribution: Volumen export
Hardcover

288 pages
English/French
45 EUR

Arrivals
2011
Published by: Kunsthaus Bregenz
Hardcover
23.3 x 18 cm / 9.1 x 7 in
352 pages
English/German
48 EUR