Haegue Yang
Silo of Silence – Clicked Core
2017
Aluminum Venetian blinds, LED tubes, aluminum and steel hanging structure, powder coating, steel wire, revolving stage, cable
1105 x 780 x 780 cm
Courtesy of the artist
Installation view of Silo of Silence – Clicked Core, KINDL – Centre for Contemporary Art, Berlin, Germany, 2017
Photo: Jens Ziehe

 

Haegue Yang
Silo of Silence – Clicked Core
2017
Aluminum Venetian blinds, LED tubes, aluminum and steel hanging structure, powder coating, steel wire, revolving stage, cable
1105 x 780 x 780 cm
Courtesy of the artist
Installation view of Silo of Silence – Clicked Core, KINDL – Centre for Contemporary Art, Berlin, Germany, 2017
Photo: Jens Ziehe

 

Haegue Yang
VIP’s Union
2001/2017
Borrowed chairs and tables
Dimensions variable
Courtesy of the artist
Installation view of VIP´s Union – Phase I, Kunsthaus Graz, Austria, 2017
Photo: Universalmuseum Joanneum/ N. Lackner

 

Haegue Yang
VIP’s Union
2001/2017
Borrowed chairs and tables
Dimensions variable
Courtesy of the artist
Installation view of VIP´s Union – Phase I, Kunsthaus Graz, Austria, 2017
Photo: Universalmuseum Joanneum/ N. Lackner

 

Haegue Yang
Sol LeWitt Upside Down – Cube Structures Based on Five Modules, Central One Expanded 184 Times, Another Expanded 66 Times then Doubled and Mirrored #81-E
2017
Aluminum Venetian blinds, aluminum hanging structure, powder coating, steel wire, LED tubes, cable
455 x 703 x 496 cm
Courtesy of the artist
Installation view at Maison Hermès Dosan Park, Seoul, South Korea, 2017
Photo: Masao Nishkawa

 

Haegue Yang
Sol LeWitt Upside Down – Cube Structures Based on Five Modules, Central One Expanded 184 Times, Another Expanded 66 Times then Doubled and Mirrored #81-E
2017
Aluminum Venetian blinds, aluminum hanging structure, powder coating, steel wire, LED tubes, cable
455 x 703 x 496 cm
Courtesy of the artist
Installation view at Maison Hermès Dosan Park, Seoul, South Korea, 2017
Photo: Masao Nishkawa

 

Haegue Yang
Sol LeWitt Upside Down – Cube Structures Based on Five Modules, Central One Expanded 184 Times, Another Expanded 66 Times then Doubled and Mirrored #81-E
2017
Aluminum Venetian blinds, aluminum hanging structure, powder coating, steel wire, LED tubes, cable
455 x 703 x 496 cm
Courtesy of the artist
Installation view at Maison Hermès Dosan Park, Seoul, South Korea, 2017
Photo: Masao Nishkawa

 

Haegue Yang Installation view of The Grand Balcony La Biennale de Montréal 2016 Photo: Guy L'Heureux, La Biennale de Montréal

Haegue Yang
Installation view of The Grand Balcony
La Biennale de Montréal
2016
Photo: Guy L’Heureux, La Biennale de Montréal

 

Haegue Yang Installation view of The Grand Balcony La Biennale de Montréal 2016 Photo: Guy L'Heureux, La Biennale de Montréal

Haegue Yang
Installation view of The Grand Balcony
La Biennale de Montréal
2016
Photo: Guy L’Heureux, La Biennale de Montréal

 

Haegue Yang Installation view of The Grand Balcony La Biennale de Montréal 2016 Photo: Guy L'Heureux, La Biennale de Montréal

Haegue Yang
Installation view of The Grand Balcony
La Biennale de Montréal
2016
Photo: Guy L’Heureux, La Biennale de Montréal

 

Haegue Yang Installation view of The Grand Balcony La Biennale de Montréal 2016 Photo: Guy L'Heureux, La Biennale de Montréal

Haegue Yang
Installation view of The Grand Balcony
La Biennale de Montréal
2016
Photo: Guy L’Heureux, La Biennale de Montréal

 

Haegue Yang Installation view of The Grand Balcony La Biennale de Montréal 2016 Photo: Guy L'Heureux, La Biennale de Montréal

Haegue Yang
Installation view of The Grand Balcony
La Biennale de Montréal
2016
Photo: Guy L’Heureux, La Biennale de Montréal

 

 

Haegue Yang Lingering Nous 2016 Aluminum Venetian blinds, aluminum hanging structure, powder coating, steel wire, LED tubes, cable 933.5 x 963 x 1086 cm Courtesy of Galerie Chantal Crousel, Paris  Installation view of Lingering Nous, Centre Pompidou, Paris, France, 2016 Photo: Philippe Migeat

Haegue Yang
Lingering Nous
2016
Aluminum Venetian blinds, aluminum hanging structure, powder coating, steel wire, LED tubes, cable
933.5 x 963 x 1086 cm
Installation view of Lingering Nous, Centre Pompidou, Paris, France, 2016
Photo: Philippe Migeat

 

Haegue Yang Lingering Nous 2016 Aluminum Venetian blinds, aluminum hanging structure, powder coating, steel wire, LED tubes, cable 933.5 x 963 x 1086 cm Courtesy of Galerie Chantal Crousel, Paris  Installation view of Lingering Nous, Centre Pompidou, Paris, France, 2016 Photo: Philippe Migeat

Haegue Yang
Lingering Nous
2016
Aluminum Venetian blinds, aluminum hanging structure, powder coating, steel wire, LED tubes, cable
933.5 x 963 x 1086 cm
Installation view of Lingering Nous, Centre Pompidou, Paris, France, 2016
Photo: Philippe Migeat

 

Haegue Yang Lingering Nous 2016 Aluminum Venetian blinds, aluminum hanging structure, powder coating, steel wire, LED tubes, cable 933.5 x 963 x 1086 cm Courtesy of Galerie Chantal Crousel, Paris  Installation view of Lingering Nous, Centre Pompidou, Paris, France, 2016 Photo: Philippe Migeat

Haegue Yang
Lingering Nous
2016
Aluminum Venetian blinds, aluminum hanging structure, powder coating, steel wire, LED tubes, cable
933.5 x 963 x 1086 cm
Installation view of Lingering Nous, Centre Pompidou, Paris, France, 2016
Photo: Philippe Migeat

 

Haegue Yang Lingering Nous 2016 Aluminum Venetian blinds, aluminum hanging structure, powder coating, steel wire, LED tubes, cable 933.5 x 963 x 1086 cm Courtesy of Galerie Chantal Crousel, Paris  Installation view of Lingering Nous, Centre Pompidou, Paris, France, 2016 Photo: Philippe Migeat

Haegue Yang
Lingering Nous
2016
Aluminum Venetian blinds, aluminum hanging structure, powder coating, steel wire, LED tubes, cable
933.5 x 963 x 1086 cm
Installation view of Lingering Nous, Centre Pompidou, Paris, France, 2016
Photo: Philippe Migeat

 

Haegue Yang An Opaque Wind Park in Six Folds 2016 Clay bricks, mortar, aluminum turbine vents, steel, soil, stone, cork, various plants 318 x 1769 x 1233 cm Sonae | Serralves Commission 2016 Courtesy of the artist Installation view of An Opaque Wind Park in Six Folds, Serralves Museum of Contemporary Art, Porto, Portugal, 2016 Photo: Filipe Braga © Fundação de Serralves

Haegue Yang
An Opaque Wind Park in Six Folds
2016
Clay bricks, mortar, aluminum turbine vents, steel, soil, stone, cork, various plants
318 x 1769 x 1233 cm
Sonae | Serralves Commission 2016
Courtesy of the artist
Installation view of An Opaque Wind Park in Six Folds, Serralves Museum of Contemporary Art, Porto, Portugal, 2016
Photo: Filipe Braga © Fundação de Serralves

 

Haegue Yang An Opaque Wind Park in Six Folds 2016 Clay bricks, mortar, aluminum turbine vents, steel, soil, stone, cork, various plants 318 x 1769 x 1233 cm Sonae | Serralves Commission 2016 Courtesy of the artist Installation view of An Opaque Wind Park in Six Folds, Serralves Museum of Contemporary Art, Porto, Portugal, 2016 Photo: Filipe Braga © Fundação de Serralves

Haegue Yang
An Opaque Wind Park in Six Folds
2016
Clay bricks, mortar, aluminum turbine vents, steel, soil, stone, cork, various plants
318 x 1769 x 1233 cm
Sonae | Serralves Commission 2016
Courtesy of the artist
Installation view of An Opaque Wind Park in Six Folds, Serralves Museum of Contemporary Art, Porto, Portugal, 2016
Photo: Filipe Braga © Fundação de Serralves

 

Haegue Yang An Opaque Wind Park in Six Folds 2016 Clay bricks, mortar, aluminum turbine vents, steel, soil, stone, cork, various plants 318 x 1769 x 1233 cm Sonae | Serralves Commission 2016 Courtesy of the artist Installation view of An Opaque Wind Park in Six Folds, Serralves Museum of Contemporary Art, Porto, Portugal, 2016 Photo: Filipe Braga © Fundação de Serralves

Haegue Yang
An Opaque Wind Park in Six Folds
2016
Clay bricks, mortar, aluminum turbine vents, steel, soil, stone, cork, various plants
318 x 1769 x 1233 cm
Sonae | Serralves Commission 2016
Courtesy of the artist
Installation view of An Opaque Wind Park in Six Folds, Serralves Museum of Contemporary Art, Porto, Portugal, 2016
Photo: Filipe Braga © Fundação de Serralves

 

Haegue Yang An Opaque Wind Park in Six Folds 2016 Clay bricks, mortar, aluminum turbine vents, steel, soil, stone, cork, various plants 318 x 1769 x 1233 cm Sonae | Serralves Commission 2016 Courtesy of the artist Installation view of An Opaque Wind Park in Six Folds, Serralves Museum of Contemporary Art, Porto, Portugal, 2016 Photo: Filipe Braga © Fundação de Serralves

Haegue Yang
An Opaque Wind Park in Six Folds
2016
Clay bricks, mortar, aluminum turbine vents, steel, soil, stone, cork, various plants
318 x 1769 x 1233 cm
Sonae | Serralves Commission 2016
Courtesy of the artist
Installation view of An Opaque Wind Park in Six Folds, Serralves Museum of Contemporary Art, Porto, Portugal, 2016
Photo: Filipe Braga © Fundação de Serralves

 

Haegue Yang An Opaque Wind Park in Six Folds 2016 Clay bricks, mortar, aluminum turbine vents, steel, soil, stone, cork, various plants 318 x 1769 x 1233 cm Sonae | Serralves Commission 2016 Courtesy of the artist Installation view of An Opaque Wind Park in Six Folds, Serralves Museum of Contemporary Art, Porto, Portugal, 2016 Photo: Filipe Braga © Fundação de Serralves

Haegue Yang
An Opaque Wind Park in Six Folds
2016
Clay bricks, mortar, aluminum turbine vents, steel, soil, stone, cork, various plants
318 x 1769 x 1233 cm
Sonae | Serralves Commission 2016
Courtesy of the artist
Installation view of An Opaque Wind Park in Six Folds, Serralves Museum of Contemporary Art, Porto, Portugal, 2016
Photo: Filipe Braga © Fundação de Serralves

 

Installation view of Come Shower or Shine, It Is Equally Blissful, UCCA, Beijing, China, 2015 
Photo: Tang Xuan

 

Installation view of Come Shower or Shine, It Is Equally Blissful, UCCA, Beijing, China, 2015 
Photo: Tang Xuan

 

Installation view of Come Shower or Shine, It Is Equally Blissful, UCCA, Beijing, China, 2015 
Photo: Tang Xuan

 

Installation view of Come Shower or Shine, It Is Equally Blissful, UCCA, Beijing, China, 2015 
Photo: Tang Xuan

 

Installation view of Come Shower or Shine, It Is Equally Blissful, UCCA, Beijing, China, 2015 
Photo: Tang Xuan

 

The Intermediate – Ceremonial Pom-pom Ball
2015
Artificial straw, steel stand, metal grid, powder coating
casters, plastic twine, brass plated bells, nickel plated bells
copper plated bells
120 x 120 x 120 cm
47.2 x 47.2 x 47.2 in

 

The Intermediate – Ceremonial Pom-pom Ball
2015
Artificial straw, steel stand, metal grid, powder coating
casters, plastic twine, brass plated bells, nickel plated bells
copper plated bells
120 x 120 x 120 cm
47.2 x 47.2 x 47.2 in

 

The Intermediate – Ceremonial Pom-pom Ball
2015
detail

 

The Intermediate – Ceremonial Peacock Ball
2015
Artificial straw, steel stand, metal grid, powder coating
casters, Indian bells, Korean bridal crowns, artificial feathers
116 x 128 x 130 cm
45.7 x 50.4 x 51.2 in

 

The Intermediate – Ceremonial Peacock Ball
2015
Artificial straw, steel stand, metal grid, powder coating
casters, Indian bells, Korean bridal crowns, artificial feathers
116 x 128 x 130 cm
45.7 x 50.4 x 51.2 in

 

Sonic Sphere – Horizontally-ornamented Brass
2015
Steel stand, metal grid, powder coating, casters
brass plated bells, metal rings
100 x 89 x 87 cm
39.4 x 35 x 34.2 in

 

Sonic Sphere – Horizontally-ornamented Brass
2015
Steel stand, metal grid, powder coating, casters
brass plated bells, metal rings
100 x 89 x 87 cm
39.4 x 35 x 34.2 in

 

Sonic Sphere – Horizontally-ornamented Nickel
2015
Steel stand, metal grid, powder coating, casters
nickel plated bells, metal rings
86 x 8981 x 81 cm
33.85 x 31.88 x 31.88 in

 

Sonic Sphere – Horizontally-ornamented Nickel
2015
Steel stand, metal grid, powder coating, casters
nickel plated bells, metal rings
86 x 8981 x 81 cm
33.85 x 31.88 x 31.88 in

 

Sonic Rotating Geometry Type E – Nickel Plated #38
2014
Steel sheet, powder coating, ball bearings, metal grid, nickel plated bells, metal rings
100 x 100 x 8 cm (H x W x D), ca. 15.4 kg
39.37 x 39.37 x 3.14 in

 

Sonic Rotating Geometry Type E – Nickel Plated #38
2014
Steel sheet, powder coating, ball bearings, metal grid, nickel plated bells, metal rings
100 x 100 x 8 cm (H x W x D), ca. 15.4 kg
39.37 x 39.37 x 3.14 in

 

Sonic Rotating Geometry Type I – Brass Plated #25
2014
Steel sheet, powder coating, ball bearings, metal grid, brass plated bells, metal rings
94 x 100 x 8 cm
37 x 39.37 x x 3.14 in

 

Sonic Rotating Geometry Type I – Brass Plated #25
2014
Steel sheet, powder coating, ball bearings, metal grid, brass plated bells, metal rings
94 x 100 x 8 cm
37 x 39.37 x x 3.14 in

 

Sonic Crescent Moon – Medium Regular #4
2014
Steel frame, metal grid, powder coating, nickel plated bells, metal rings
173 x 54 x 54 cm (H x W x D), 23.2 kg
68.11 x 21.25 x 21.25 in

 

Sonic Crescent Moon – Medium Regular #4
2014
Steel frame, metal grid, powder coating, nickel plated bells, metal rings
173 x 54 x 54 cm (H x W x D), 23.2 kg
68.11 x 21.25 x 21.25 in

 

Triangling Jungling Joggling
2014
Aluminum Venetian blinds, aluminum hanging structure, powder coating, steel wire, cables, light bulbs.
193 height x 206 width x 306 depth cm
76 height x 81.1 width x 120.5 depth in

 

Triangling Jungling Joggling
2014
Aluminum Venetian blinds, aluminum hanging structure, powder coating, steel wire, cables, light bulbs.
193 height x 206 width x 306 depth cm
76 height x 81.1 width x 120.5 depth in

 

Triangling Jungling Joggling (detail)
2014

 

Triangling Jungling Joggling (detail)
2014

 

Sonic Rotating Geometry Type G –
Brass Plated #20
2014
Steel sheet, powder coating, ball bearings,
metal grid, brass plated bells, metal rings
90 x 95 cm
35.4 x 37.4 in

 

Deep Quest
2012
Single shaft clothing rack (chrome) on casters with round top, knitting yarn, light bulbs (frosted), cable, cord, zip ties, papier mâché, watercolor, varnish, acrylic paint, sequins, metal rings, metal grid, metal quadrangle, plastic price frame, fringe
189 cm high x 100 cm diameter

 

Bright Quest
2012
Single shaft clothing rack (cream-colored) on casters with
open round top, knitting yarn, light bulbs (frosted), cable,
cord, paint, zip ties, papier mâché, water color, varnish,
acrylic paint, sequins, metal rings, funnel, key – ring, metal
grid, shampoo holder, towel-holder
196 cm high x 103 cm diameter

 

Blue Quest
2013
Triple shaft tie rack on casters, frosted light bulbs, cable, cord, zip ties, nickel-plated bells, brass-plated bells, aluminum whistles, plumbing knobs
181 x 97 x 97 cm
73.1 x 38.2 x 38.2 inches

 

Warrior Believer Lover, 2011. Installation view 3rd floor, Kunsthaus Bregenz
Photo: MARKUS TRETTER © Kunsthaus Bregenz, HAEGUE YANG

 

Cittadella, 2011. Installation view 2nd floor, Kunsthaus Bregenz
Photo: MARKUS TRETTER © Kunsthaus Bregenz, HAEGUE YANG

 

Series of Vulnerable Arrangements, Voice and Wind, 2010
Installation view, “Voice and Wind” at New Museum, New York
© New Museum, New York. Photo by BENOIT PAILLEY

 

Series of Vulnerable Arrangements, Voice and Wind, 2010
Installation view, “Voice and Wind” at New Museum, New York
© New Museum, New York. Photo by BENOIT PAILLEY

 

Mountains of Encounter, 2008
Installation view of WHOSE HISTORY at the Kunstverein in Hamburg, Germany, 2008
Photos: FRED DOTT. © Galerie Wien Lukatsch, Berlin, Germany

 

Kaleidoscopic Jewel Glow – Trustworthy #195
2013
4 pieces, various envelope security patterns, framed
102.1 x 102.10 cm (each piece)
40.2 x 40.2 inches (each piece)

 

Kaleidoscopic Jewel Glow – Trustworthy #197
2013
4 pieces, various envelope security patterns, framed
102.1 x 102.10 cm (each piece)
40.2 x 40.2 inches (each piece)

 

Origami Dust – Side Effects and By-Products
2004 – 2012
10 collages in 2 rows
Collages with flattened origami objects, framed
62,40 x 62.4 cm (each frame)

 

Trustworthy Turban #164
2012
Paper collage, various envelope security patterns, grid paper, framed
100 x 70 cm

 

Trustworthy X # 142
2012
Various envelope security patterns, framed
100 x 70 cm

 

Trustworthy X # 141
2012
Various envelope security patterns, framed
100 x 70 cm

 

Non-moving self
2007
rotating mirror, 60 cm diameter

Born in 1971, Seoul, South Korea

Lives and works in Berlin, Germany
and Seoul, Korea

 

Solo Exhibitions

2018
Haegue Yang: VIP’s Union – Phase II, Kunsthaus Graz, Austria
La Panacee, Montpellier, France
La Triennale de Milano, Italy
ETA 1994-2018, Museum Ludwig, Cologne, Germany

2017
Quasi-ESP, Galerie Chantal Crousel, Paris, France
Silo of Silence – Clicked Core, KINDL – Zentrum für zeitgenössische Kunst, Berlin, Germany
Haegue Yang: The VIP’s Union, Kunsthaus Graz, Graz, Austria
Maison Hermès Dosan Park, Seoul, Korea
Kurimanzutto, Mexico City, Mexico
Quasi-Pagan Seasonal Shift, Aïshti by the Sea, Antelias, Lebanon

2016
Quasi-Pagan Seasonal Shift, Aïshti by the Sea, Antelias, Lebanon
Quasi-Pagan Modern, Galeries Lafayette Haussmann, Paris, France
Lingering Nous, Centre Pompidou, Paris, France*
An Opaque Wind Park in Six Folds, Serralves Museum of Contemporary Art, Porto, Portugal*
Quasi-Pagan Serial, Hamburger Kunsthalle, Hamburg, Germany
Quasi-Pagan Minimal, Greene Naftali, New York, USA

2015
Come Shower or Shine, It Is Equally Blissful, Ullens Center for Contemporary Art, Beijing, China*
Temporary Permanent, Galerie Barbara Wien, Berlin, Germany
Sample Book, dépendance, Brussels, Belgium
Sample Book, dépendance, Brussels
Shooting the Elephant 象 Thinking the Elephant, Leeum, Samsung Museum of Art, Seoul, South Korea

2014
Follies, Merfach, Bonner Kunstverein, Bonn
Accommodating the Epic Dispersion – On Non-cathartic Volume of Dispersion, Art Unlimited, Basel
Man in the Mirror, Vanhaerents Art Collection, Brussels

2013
Anachronistic Layers of Dispersion, Henry Art Gallery, Seattle, USA
Honesty Printed on Modesty, Singapore Tyler Print Institute, Singapore*
Journal of Echomimetic Motions, Bergen Kunsthall, Bergen, Norway*
Journal of Bouba/kiki, Glasgow Sculpture Studios, Glasgow, Scotland*
Corrugated Totems with Glitter Dance, Vitrines sur l’Art – Museums of Strasbourg, Galeries Lafayette, Strasbourg, France
Family of Equivocations, Aubette 1928 and Museum of Modern and Contemporary Art, Strasbourg, France
Ovals and Circles, Galerie Chantal Crousel, Paris, France
Art Wall: Haegue Yang, The Institute of Contemporary Art, Boston, USAn

2012
Haus der Kunst München, Munich.
La Douane, Galerie Chantal Crousel, Paris.
Oil Tanks, Tate Modern, London, UK.
Troubling Space: The Summer Sessions, The Zabludowicz Collection, London.
Wide Open School, Hayward Gallery, London.
Kunsthalle Marcel Duchamp, Cully, Switzerland.
Multi Faith Room, Greene Naftali, New York, USA .
Haegue Yang, Rivane Neuenschwander, Overbeck-Gesellschaft, Lübeck, Germany.

2011
Escaping Things and Words, Haegue Yang, Rivane Neuenschwander, Kunsthalle Lingen, Lingen, Germany.
The Art and Technique of Folding the Land, Aspen Art Museum, Aspen, Colorado, USA.
The Sea Wall: Haegue Yang with an inclusion by Felix Gonzalez-Torres, Arnolfini, Bristol, UK
Teacher of Dance, Modern Art Oxford, Oxford, UK
Arrivals, Kunsthaus Bregenz, Bregenz, Austria

2010
Voice and Wind, New Museum, New York, USA.
Voice Over Three, Artsonje Center, Seoul.
Closures, Galerie Barbara Wien Wilma Lukatsch, Berlin, Germany.

2009
Integrity of the Insider, Walker Art Center, Minneapolis, USA.
Condensation, South Korean Pavilion, 53rd Biennale, Venice.

2008
Symmetric Inequality, Sala Rekalde, Bilbao, Spain.
Asymmetric Equality, REDCAT, Los Angeles, USA.
Siblings and Twins, Portikus, Frankfurt am Main, Germany.
Hamburger Kunsthalle, Galerie der Gegenwart, Hamburg, Germany.
Lethal Love, CUBITT, London, UK.

2007
Unpacking Storage Piece, Haubrokshows, Berlin, Germany.
Foxed in the Forest, Dépendance, Brussels, Belgium.
Seven Basel Lights, Art Statements with Galerie Barbara Wien, Basel.
Remote Room, Galerie Barbara Wien, Berlin, Germany.

2006
Sadong 30, Incheon, South Korea.
Unevenly, BAK, basis voor actuele kunst, Utrecht, Netherlands.
2005
Cremer-Preis, LWL – Landesmuseum für Kunst und Kulturgeschichte, Münster, Germany.

2004
Kasse, Shop, Kino und Weiteres, Hessisches Landesmuseum, Darmstadt, Germany.
Unfolding, Dépendance, Brussels, Belgium.
Alterity Display, Lawrence O’Hana Gallery, London, UK.
Unfolding Places, Galerie Barbara Wien, Berlin, Germany.

2003
Unrealistic to Generalize, Public>, Paris, France.

2002
Air and Water, Dresdner Bank, Frankfurt am Main, Germany.

2001
Sonderfarben, Kommunale Galerie, Darmstadt, Germany.

2000
Blaue Wiese – Farbige Sprache, Künstlerhaus Mousonturm, Frankfurt am Main, Germany.
Bejahung und Verneinung, Kolster, Galerie für junge Kunst, Frankfurt am Main, Germany.
Lacquer Paintings 2000, Galerie Barbara Wien, Berlin, Germany.

1999
Hamburgefonstiv, 1822 Forum der Frankfurter Sparkasse, Frankfurt am Main, Germany.

1995
Raum, Frankfurt am Main, Germany.

Group Exhibitions

2019
The Geffen Contemporary, The Museum of Contemporary Art (MOCA), Los Angeles

2018
Generations: Künstlerinnen im Dialog Part 1, Sammlung Goetz, Munich
Sydney Biennale, Sydney, Australia

2017
Again and Against, Hamburger Kunsthalle, Hamburg, Germany
Field Guide, Remai Modern, Saskatoon, Canada
The Trick Brain, Aishti Foundation, Lebanon
Junge Sammlungen 04: The Vague Space. Sammlung Christian Kaspar Schwarm, Weserburg Museum für moderne Kunst, Bremen, Germany
Children’s Games, ADN Collection, Bolzano, Italy
WheredoIendandyoubegin – On Secularity, 9th Göteborg International Biennial for Contemporary Art (GIBCA), Göteborg, Sweden
Soil and Stones, Souls and Songs, Jim Thompson Art Centre, Bangkok, Thailand
Wither the Winds, The Malmö Art Academy, at the occasion of Lund University’s 350th Jubilee, Lundskonsthal, Lund, Sweden
Duett mit Künstlerin, Museum Morsbroich, Leverkusen, Germany
Wherever the Wind Carries, Lunds Konsthall, Lund, Sweden
Medusa – Bijoux et tabous, Musée d’Art Moderne de la Ville de Paris, France
California-Pacific Triennial: Building As Ever, Orange County Museum of Art, Newport Beach, USA
MIDTOWN, organized by Maccarone, Salon 94 Design, and Salon 94, Lever House, New York, USA
Göteborg International Biennial of Contempoary Art (GIBCA 2017), Göteborg, Sweden
Soil and Stones, Souls and Songs, Jim Thompson Art Centre, Bangkok, Thailand
Duet with Artist. Participation as artistic principle, Museum Morsbroich, Leverkusen, Germany
Wherever the Wind Carries, Lunds Konsthall, Sweden
Medusa, Musée d’Art Moderne de la Ville de Paris, France
California-Pacific Triennial: Building As Ever, OCMA, Newport Beach, California
Lesson Ø, National Museum of Modern and Contemporary Art, Gwacheon, South Korea
Duddell’s x Biennale of Sydney. Abstraction of the World, Duddell’s, Hong Kong
Soil and Stones, Souls and Songs, Para Site, Hong Kong, China
Haegue Yang, mezzaterra11 – flat gallery, Belluno, Italy
Condo, dépendance at Maureen Paley, London, UK

2016
Heterotopias. Avant-gardes in Contemporary Art, Museum of Modern and Contemporary Art and Aubette 1928, Strasbourg, France
Looks Good on Paper, Singapore Tyler Print Institute, Singapore
The Grand Balcony, La Biennale de Montreal, Montreal, Canada
Ad Intérieurs, à l’Univers des collectionneurs, La Monnaie de Paris, Paris, France
Das Loch, Künstlerhaus Bremen, Bremen, Germany
Exquisite Corpse, Galerie Chantal Crousel at The Mistake Room, Los Angeles, USA
Public to Private: Photography in Korean Art since 1989, National Museum of Modern and Contemporary Art, Seoul, South Korea
Idiosyncrasy: Anchovies Dream of an Olive Mausoleum, The Cáceres Visual Arts Centre, Helga de Alvear Foundation, Cáceres, Spain
Presently, neugerriemschneider, Berlin, Germany
Daily Formalism, Mabsociety, Shanghai, China
Yoko Ono: LUMIÈRE DE L’AUBE, The Museum of Contemporary Art Lyon, Lyon, France
gerlach en koop, Bonnefantenmuseum Maastricht, Maastricht, Netherlands
MashUp: The Birth of Modern Culture, Vancouver Art Gallery, Vancouver, BC Canada
kurimanzutto travels to Jessica Silverman Gallery: from here to there, Jessica Silverman Gallery, San Francisco, USA

2015
Mobile M+: Live Art, M+, Hong Kong, China
The Malady of Death: Écrire and Lire, commissioned by M+ for Mobile M+: Live Art, Hong Kong, China
The Eighth Asia Pacific Triennial of Contemporary Art (APT8), Queensland Art Gallery, Brisbane,Australia
Office Space, Yerba Buena Center for the Arts, San Francisco, USA
Paradox of Place: Contemporary Korean Art, Seattle Asian Art Museum, Seattle, USA
Remember Lidice, Edition Block, Berlin
La vie moderne, 13th Biennale de Lyon, Lyon, France
J’adore, Kunsthalle Lingen, Lingen, Germany
Future Light, MAK – Austrian Museum for Applied Arts/Contemporary Art, Vienna, Austria
Passing Leap, Hauser & Wirth, New York
Scenes for a New Heritage: Contemporary Art from the collection, MoMA, New York, USA
As We Never Imagined: 50 Years of Art Making, STPI gallery, Singapore
After Babel, Moderna Museet, Stockholm, Sweden
Absolute Collection Guideline, Sifang Art Museum, Nanjing, China
Storylines: Contemporary Art at the Guggenheim, Guggenheim Museum, New York, USA
Works on Paper, Greene Naftali, New York, USA
Fiber: Sculpture 1960-present, Des Moines Art Center, Iowa, USA
Temporary Permanent, Galerie Wien Lukatsch, Berlin, Germany
Feminismen, Nordsternturm Videoart Center, Gelsenkirchen, Germany
Suppleness and Rigidity – The Art of the Fold, Kunstraum Alexander Bürkle, Freiburg, Germany
The past, the present, the possible, Sharjah Biennale 12 , Sharjah, UAE
Scenes for a New Heritage: Contemporary Art from the Collection, MoMA, New York, USA
Man in the Mirror, Vanhaerents Art Collection, Brussels, Belgium
360°: Die Rückkehr der Sammlung, Stiftung Kunstmuseum Stuttgart, Stuttgart, Germany

2014
Music Palace contemporary Art and Music, Villa Empain, Brussels
Double Life, Contemporary Arts Museum Houston, USA
Fiber: Sculpture 1960-present, ICA Boston, USA
Music Palace contemporary art and music, Villa Empain, Brussels
The Great Acceleration, Taipei Biennial 2014
Ghosts, Spies, and Grandmothers, SeMA Biennale Mediacity Seoul 2014, Seoul, Korea
Light Night, Wallspace, New York, USA
Don’t You Know Who I Am? Art After Identity Politics,
Museum van Hedendaagse Kunst Antwerpen, Antwerp, Belgium
Objectology – Design and Art, National Museum of Modern and Contemporary Art,
Gwacheon, South Korea
Histories I – Works from the Serralves Collection, Fundação de Serralves, Porto, Portugal
The Part In The Story Where A Part Becomes A Part Of Something Else,
Witte de With Center for Contemporary Art, Rotterdam, The Netherlands
Salon distingué – Hausrat in guter Gesellschaft, Museum Langmatt, Baden, Switzerland
Man in the Mirror, Vanhaerents Art Collection, Brussels, Belgium
KUB Collection Showcase – New Acquisitions from Ai Weiwei to Zobernig, Kunsthaus Bregenz, Bregenz, Austria
The Hawker, Dépendance at Carlos/Ishikawa, London, UK

2013
I KnOw YoU, Irish Museum of Modern Art, Dublin
Sammlung Haubrok bei Falckenberg – No Desaster,
Sammlung Falckenberg, Hamburg, Germany

2012
Dislocation, Daegu Art Museum, South Korea
Museum für Gegenwartskunst, Siegen, Germany.
Gertrude Contemporary Museum, Melbourne, Australia.
Inside Out and from the Ground Up, Museum of Contemporary Art Cleveland (MOCA), Cleveland, USA.
TBK, Dependence, Brussels, Belgium.
Glasgow Sculpture Studios, Glasgow, Scotland.
Urdaibai Art, the first biennial of art, nature and urbanism, Urdaibai Natural Reserve, Gernika, Bermeo, Spain.
Superbody, Galerie Chantal Crousel, Paris, France.
Soundworks, Institute of Contemporary Arts, London, UK.
dOCUMENTA (13), Kassel, Germany.
Orchesterwechsel – 10 Jahre Sammlung Rheingold, Schloss Dyck, Jüchen, Germany.
An Exhibition of a Study on Knowledge, Forum Stadtpark, Graz, Austria.
The Touch of Life, Galerie Anita Beckers, Frankfurt am Main, Germany.
Abstract Possible: The Stockholm Synergies, Tensta Konsthall, Stockholm, Sweden.
How Physical, The Yebisu International Festival for Art & Alternative Visions 2012, Tokyo Metropolitan Museum of Photography, Tokyo, Japan.
DLA Was / For You, Muzeum Sztuki, Lodz, Poland.

2011
City within the City, Artsonje Center, Seoul, South Korea (travels to Gertrude Contemporary, Melburn, Australia, 2012).
The Grand Domestic Revolution – User’s Manual, Casco – Office for Art, Design and Theory, Utrecht, Netherlands.
Monument Valley (Jaegerspris revisited – a Hommage to Johannes Wiedewelt), UFO, Berlin, Germany.
Berlin 2000-2011. Playing among the Ruins, Museum of Contemporary Art Tokyo, Tokyo, Japan.
D’un autre Monde, Le Printemps de Septembre, Toulouse, France.
Kunst und Philosophie, n.b.k. – Neuer Berliner Kunstverein, Berlin, Germany.
Tell Me Tell Me: Australian and Korean Art 1976-2011, National Art School Gallery, Sydney, Australia.
The Spiral and the Square. Exercises on Translatability, Bonniers Konsthall, Stockholm, Sweden (travels to Trondheim Kunstmuseum, Trondheim, Norway; SKMU, Sørlandets Kunstmuseum, Kristiansand, Norway).
Folding: The Art of Simplicity, KCDF Gallery, Seoul, South Korea.
Open Days, Le Consortium, Dijon, France.
Nach Abschluss der Reise, Kunst-Werke, Berlin, Germany.
A Wedding, Para/Site Art Space, Hong Kong, China.
Human Nature: Contemporary Art from the Collection, LACMA – Los Angeles County Museum of Art, Los Angeles, USA.
Air Hole: Another Conceptualism from Asia, The National Museum of Art, Osaka, Japan.

2010
Watchmen, Liars, Dreamers, Le Plateau, Frac Île-de-France, Paris, France.
10000 Lives, 8th Gwangju Biennale, Gwangju, South Korea
Workers Leaving the Workplace, Muzeum Sztuki, Lodz, Poland.
Urban Origami, PM Gallery & House, London.
The Pursuer, Greene Naftali Gallery, New York, USA.
The New Décor, Hayward Gallery, London, UK (traveled to: Garage CCC – Center for Contemporary Culture, Moscow, Russia).
Oh! Masterpieces, Gyeonggi Museum of Modern Art, Ansan, South Korea.
Like Eskimo Space, 1857, Oslo, Norway.
Squatting. erinnern, vergessen, besetzen, Temporäre Kunsthalle Berlin, Berlin, Germany.
Open Light in Private Spaces, Biennale for International Light Art Ruhr.2010, Unna, Germany.
After Architects, Kunsthalle Basel, Basel, Switzerland.
Intro Motion Ditch, Art Sheffield, S1 Artspace, Sheffield, UK.
Self as disappearance, Centre d’Art Contemporain, La Synagogue de Delme, Delme, France.

2009
Zeigen. Eine Audiotour durch Berlin, Temporäre Kunsthalle Berlin, Berlin, Germany.
UNDER COVER I – special editions in books, boxes & rolls, Galerie Barbara Wien, Berlin, Germany.
From the Gathering, Helen Pitt Gallery, Vancouver, Canada.
Horizontale Durchlässigkeiten, Alte Fabrik, Rapperswil, Switzerland.
Monument to Transformation, City Gallery Prague, Prague, Czech Republic (traveled to: Centro Cultural Montehermoso, Vitoria-Gasteiz, Spain).
Sequelism Part 3: Possible, Probable, or Preferable Futures, Arnolfini, Bristol, UK.Everything, then, passes between us, Kölnischer Kunstverein, Cologne, Germany.
Your Bright Future: 12 Contemporary Artists from Korea, LACMA – Los Angeles County Museum of Art, Los Angeles, USA (traveled to: The Museum of Fine Arts, Houston, USA).
Making Worlds, 53rd International Art Exhibition, Venice Biennale, Venice, Italy.
Pop Up!, Ludwig Forum für Internationale Kunst, Aachen, Germany.
Assume Nothing: New Social Practice, Art Gallery of Greater Victoria, Victoria, Canada.

2008
If we can’t get it together, The Power Plant, Toronto, Canada.
27 november – 21 january, 2009, Dépendance, Brüssel / Brussels.
50 Moons of Saturn, 2nd Torino Triennale, Turin, Italy.
The Twentyfirst, Silver Shed, New York, USA.
Zeitblick. Ankäufe der Sammlung Zeitgenössische Kunst der Bundesrepublik Deutschland 1998-2008, Martin-Gropius-Bau, Berlin, Germany.
Pontos de Vista, Galeria Mata, Inhotim, Brumadinho, MG, Brasil.
Akademie Schloss Solitude, Stuttgart, Germany.
Farewell to Post-Colonialism. The 3rd Guangzhou Triennial, Guangzhou, Guangdong, China.
The Krautcho Club / In and Out of Place, Galerie im Regierungsviertel, Berlin, Germany (weitere Station / traveled to: 176 Gallery, London, UK).
Eurasia. Geographic cross-overs in Art, MART – Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto, Italy.
LESS, haubrokshows, Berlin, Germany.
Life On Mars, 55th Carnegie International, Pittsburgh, USA.
Global EurAsia, Art Cologne, Cologne, Germany.
run run, Collins Gallery, Glasgow, commissioned by Glasgow International, Glasgow, Scotland.
Open / Invited e v+ a  2008 – too early for vacation, e v+ a – exhibition of visual art, Limerick, Ireland.
Der grosse Wurf – Faltungen in der Gegenwartskunst, Museum Haus Lange / Kaiser Wilhelm Museum, Krefeld, Germany.
Von dem was dann noch bleibt, Nassauischer Kunstverein, Wiesbaden, Germany.
Interfacing Practices, Galerie Magnus Müller, Berlin, Germany
freunde und bekannte, Sparwasser HQ, Berlin, Germany
Wessen Geschichte, Kunstverein Hamburg, Hamburg, Germany.

2007
Anyang Public Art Project (APAP), Anyang, South Korea.
Off Pages, The Bookmakers SQ.MT., Turin, Italy, 2007.
If I can’t dance, I don’t want to be part of your Revolution, Edition II, Episode IV: Feminist Legacies and Potentials in Contemporary Art Practice, Museum van Hedendaagse Kunst Antwerpen, Antwerp, Belgium.
Potentials in Contemporary Art Practice, Museum van Hedendaagse Kunst Antwerpen, Antwerp, Belgium.
Tomorrow, Artsonje Center & Kumho Museum, Seoul, South Korea.
Brave New Worlds, Walker Art Center, Minneapolis, USA (traveled to: Fundación/Colección Jumex, Mexico City, Mexico).
Something Mr. C can’t have, KIAF, Coex Hall, Seoul, South Korea.
Micro Narratives, 48th October Salon, Belgrade, Serbia.
Virtuoso Interpretor – Formalismus als Formalismuskritik, Cluster, Berlin, Germany.
RE-DIS-PLAY – Nicht-Kunst-Sammlungen von Künstlern und Kuratoren, Heidelberger Kunstverein, Heidelberg, Germany.
Flash Cube, Leeum, Samsung Museum of Art, Seoul, South Korea.
Imagine Action, Lisson Gallery, London, UK.
Made in Germany, Kestnergesellschaft, Hanover; Sprengel Museum, Hanover and Kunstverein Hannover, Hanover, Germany.
PRAGUEBIENNALE 3, Prague, Czech Republic.
Brennschluss, Galerie Andreas Huber, Vienna, Austria.
Kunstpreis der Böttcherstrasse 2007, Kunsthalle Bremen, Bremen, Germany.
Dependance at Galerie Neu, Galerie Neu, Berlin, Germany.
Modelle für Morgen: Köln, European Kunsthalle, Cologne, Germany.
Mandla Reuter, Haegue Yang, Flaca, London, UK.
Break through to Grey Room, Casabarata, Kasbah Museum, Tangier, Morocco.
STADTanSICHTen. Seoul: Räume, Menschen, ifa-Galerie Stuttgart, Germany (traveled to: ifa-Galerie Berlin, Institut für Auslandsbeziehungen, Berlin, Germany).

2006
Political Design, Design of Politics, Zero One Design Centre, Seoul, South Korea.
Personal Affairs. Neue Formen der Intimität, Museum Morsbroich, Leverkusen, Germany.
If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution, Edition II: Feminist Legacies and Potentials in Contemporary Practice, De Appel, Amsterdam, Netherlands.
Como Viver Junto – How to Live Together, 27. Biennale São Paulo, São Paulo, Brazil.
Pigment Piano Marble, Maipú, Buenos Aires, Argentina.
e-flux Video Rental, Mücsarnok Kunsthalle Budapest, Budapest, Hungary, 2006; Arthouse Texas, Texas, Austin, USA, 2006; Carpenter Center for the Visual Arts, Cambridge / MA, USA, 2007; Centre Culturel Suisse, Paris, France, 2007; CAMJAP, Lissabon, Portugal, 2008; and Fondazione Giuliani, Rom, Italy, 2010.
Haubrokworks – Sounds of Silence, Galerie Gisela Capitain, Cologne, Germany.

2005
Lichtkunst aus Kunstlicht, ZKM – Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany.
Punkt und Linie, Fläche und Raum, Overbeck-Gesellschaft, Lübeck, Germany.
Schnur im Nebel, Doppelzimmer, Gießen, Germany.

2004
Steaming away from the Places, Sangmyung University Museum, Seoul, South Korea.
D-Freezone. Site 2: Korean Express, in the frame of 5th Gwangju Biennale, Gwangju, South Korea.
This is not a Love Letter, Marronnier Art Center, Seoul, South Korea.
Black Friday. Exercises in Hermetics, Galerie Kamm, Berlin, Germany.
Liquidation totale, Dépendance, Brussels, Belgium.
XS: An Invitational Exhibition, f a projects, London, UK.
Documents, Seoul Metropolitan Museum of Arts (currently Seoul Museum of Art), Seoul, South Korea.
Chasm, 3rd Busan Biennale, Busan, South Korea.
Mix Max, Artsonje Center, Seoul, South Korea.

2003
From Dust to Dusk – International Exhibition of Contemporary Art, Kunsthal Charlottenborg, Copenhagen, Denmark.
Hermès Korea Missulsang, Artsonje Center, Seoul, South Korea.
Make It New, Portikus in Kooperation mit Dresdner Kleinwort Wasserstein, Frankfurt am Main, Germany.
Demirrorized Zone, de Appel, Amsterdam, Netherlands.
Türme Babylons, Landesmuseum Mainz, Mainz, Germany.

2002
Subtiles élégances, La Galerie, Centre d’art contemporain, Noisy-le-Sec, France.
The Fall, Galleri Christina Wilson, Copenhagen, Denmark.
Kunst und Technik, Mannheimer Kunstverein, Mannheim, Germany.
Cité des Ondes, Cienquième Manifestation Internationale Vidéo et Art Électronique, Champ Libre, Montreal, Canada.40 Jahre: Fluxus und die Folgen, Wiesbadener Kunstsommer, Wiesbaden, Germany.
Manifesta 4, European Biennial of Contemporary Art, Frankfurt am Main, Germany.
P_A_U_S_E, 4th Gwangju Biennale, Gwangju, South Korea.
New Tendencies in Korean Art: Paradise Among Us, Marronnier Art Center (currently: Arko Art Center), Seoul, South Korea.
BLINK, Artsonje Center, Seoul, South Korea.
Kunstpreis der Deutschen Volksbanken und Raiffeisenbanken, Kunst-Werke, Berlin, Germany.
Ssamzie Studio 3, Ssamzie Space, Seoul, South Korea.

2001
1 Site – 2 Places, project room, Galerie der Stadt Sindelfingen, Sindelfingen, Germany.
KunstPraxis, Siemens Arts Program, Munich, Germany.
Invisible Touch, Artsonje Center, Seoul, South Korea.
We’re not here to give you pleasure, rraum 02, Frankfurt am Main, Germany (traveled to: rraum 03, Protoacademy, Edinburgh, UK; G39, Cardiff, UK; Galerie Art & Essai, Rennes, France).
VIP’s Union, VIP Lounge, 6th Art Forum Berlin, Berlin, Germany.
Tirana Biennale 1: Escape, Tirana, Albania.
Zu Gast, Bellevue-Saal, Wiesbaden, Germany.
Frankfurter Kreuz: Transformationen des Alltäglichen in der zeitgenössischen Kunst, Schirn Kunsthalle, Frankfurt am Main, Germany.
Lunchtime of Necktie Force, The Posco Museum, Seoul, South Korea.

2000
Art or Design, Seoul Arts Center, Seoul, South Korea.
Café Helga & Galerie Goldankauf, Kunstraum München, Munich, Germany.
Anno Zero, Cittadellarte – Fondazione Pistoletto, Biella, Italy.

1998
Gegendarstellung, Manufaktur, Frankfurt am Main, Germany.
Stuttgart, 17.7.1956 – Salem (Wis.)/USA, 3.3.1977, Portikus, Frankfurt am Main, Germany.
Seoul in Media: Food, Clothing, Shelter, Seoul Museum of Art, Seoul, South Korea.
Where I Am, Lisbon World Exposition, Galeria Municipal da Mitra, Lisbon, Portugal.
I-20, with Caroline Krause, Galerie Konstantin Adamopoulos, Frankfurt am Main, Germany.

 

Collections

Bristol’s Museums, Galleries & Archives, Bristol, UK.
Carnegie Museum of Art, Pittsburgh, USA.
Explum, Murcia, Spain.
Galerie für Zeitgenössische Kunst, Leipzig, Germany.
Kulturstiftung des Bundes, Halle an der Saale, Germany.
Kunsthalle Hamburg, Germany.
Leeum, Samsung Museum of Art, Seoul, Korea.
Los Angeles County Museum of Art, Los Angeles, USA.
Museum of Modern Art, New York, USA.
Muzeum Sztuki, Lodz, Poland.
Sammlung Haubrok, Berlin, Germany.
Solomon R. Guggenheim Museum, New York, USA.
The Museum of Fine Arts, Houston, Texas, USA.
Walker Art Center, Minneapolis, Minnesota, USA.
Westfälisches Landesmuseum, Münster, Germany.
Zabludowicz Collection.

Haegue Yang
ETA 1994-2018 – Wolfgang Hahn Preis 2018
2018
Published by Verlag der Buchhandlung Walther König, Cologne
ISBN: 978-3-96098-357-6
price: 58,00 EUR

 

Haegue Yang
Lingering Nous
2017
Texts by Haegue Yang, Nicolas Liucci-Goutnikov, Tom McDonough.
Published with Centre Pompidou, Paris
Published by Les presses du réel, France
ISBN: 978-2-84066-890-9
price: 25,00 EUR

 

Haegue Yang An Opaque Wind Park in Six Folds 2016 120 pg. 23 x 30 cm Soft Cover Fundação de Serralves Portuguese + English ISBN: 978-972-739-338-1 € 29,00

Haegue Yang
An Opaque Wind Park in Six Folds
2016
120 pg.
23 x 30 cm
Soft Cover
Fundação de Serralves
Portuguese + English
ISBN: 978-972-739-338-1
€ 29,00

 

Graph paper pad, offset print In collaboration with Jeong Hwa Min Cover font design by Wolfgang Breuer Published by Wiens Verlag, Berlin 32 x 29.7 cm, 96 pages, printed on one side, ed. of 800 copies ISBN: 978-3-943888-09-6 24.00 EUR

Graph paper pad, offset print
In collaboration with Jeong Hwa Min
Cover font design by Wolfgang Breuer
Published by Wiens Verlag, Berlin
32 x 29.7 cm, 96 pages, printed on one side, ed. of 800 copies
ISBN: 978-3-943888-09-6
24.00 EUR

 

Graph paper pad, offset print In collaboration with Jeong Hwa Min Cover design by Studio Manuel Raeder Published by Wiens Verlag, Berlin and Bom Dia Boa Tarde Boa Noite, Berlin A3, 48 pages, edition of 1000 copies ISBN: 978-3-9811288-5-7 ISBN: 978-3-943514-13-1 24.00 EUR

Graph paper pad, offset print
In collaboration with Jeong Hwa Min
Cover design by Studio Manuel Raeder
Published by Wiens Verlag, Berlin and Bom Dia Boa Tarde Boa Noite, Berlin
A3, 48 pages, edition of 1000 copies
ISBN: 978-3-9811288-5-7
ISBN: 978-3-943514-13-1
24.00 EUR

 

Shooting the Elephant 象 Thinking the elephant
ed. by Leeum, Samsung Museum of Art, Seoul and Studio Haegue Yang
texts by Nicolas Bourriaud, Sungwon Kim and Hyunsun Tae
ex. cat. Leeum, Samsung Museum of Art, Seoul
designed by Jinyeol Jung.
English/Korean
2 books: 76 pages, 84 pages
ISBN: 9788985468480
59.00 EUR

 

Family of Equivocations
2013
288 pages, around 200 illustrations
ISBN: 9-78-235125-1034
45 euros
Bilingual French / English
Editions des Musées de Strasbourg
Distribution : Volumen export
45.00 EUR

 

Arrivals
Publisher: Kunsthaus Bregenz
23.3 x 18 cm
ISBN-13: 978-3865609687
$ 47.00